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Titlebook: Computers and Creativity; Jon McCormack,Mark d’Inverno Book 2012 Springer-Verlag Berlin Heidelberg 2012 aesthetics.art.artificial intellig

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發(fā)表于 2025-3-21 18:00:07 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Computers and Creativity
編輯Jon McCormack,Mark d’Inverno
視頻videohttp://file.papertrans.cn/235/234632/234632.mp4
概述Interdisciplinary volume introduces new theories and ideas on creativity, evolutionary computation and the computational arts.Features contributions from some of the world’s leading researchers, theor
圖書封面Titlebook: Computers and Creativity; Jon McCormack,Mark d’Inverno Book 2012 Springer-Verlag Berlin Heidelberg 2012 aesthetics.art.artificial intellig
描述.This interdisciplinary volume introduces new theories and ideas on creativity from the perspectives of science and art. Featuring contributions from leading researchers, theorists and artists working in artificial intelligence, generative art, creative computing, music composition, and cybernetics, the book examines the relationship between computation and creativity from both analytic and practical perspectives. Each contributor describes innovative new ways creativity can be understood through, and inspired by, computers..The book tackles critical philosophical questions and discusses the major issues raised by computational creativity, including: whether a computer can exhibit creativity independently of its creator; what kinds of creativity are possible in light of our knowledge from computational simulation, artificial intelligence, evolutionary theory and information theory; and whether we can begin to automate the evaluation of aesthetics and creativity .in silico.. These important, often controversial questions are contextualised by current thinking in computational creative arts practice. Leading artistic practitioners discuss their approaches to working creatively with c
出版日期Book 2012
關(guān)鍵詞aesthetics; art; artificial intelligence; composition; computational aesthetics; computational arts; compu
版次1
doihttps://doi.org/10.1007/978-3-642-31727-9
isbn_softcover978-3-642-43329-0
isbn_ebook978-3-642-31727-9
copyrightSpringer-Verlag Berlin Heidelberg 2012
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Creative Ecosystemsuals in a population in terms of their suitability for a particular task. The problem for creative applications is that creativity is rarely thought of as a single optimisation. For example, could you come up with an algorithm for ranking music or painting? The difficulty is that these broad categor
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Live Algorithms: Towards Autonomous Computer Improvisers research, offering a high level view for the general reader, as well as more detailed and specialist analysis. The study of Live Algorithms is multi-disciplinary in nature, requiring insights from (at least) Music Technology, Artificial Intelligence, Cognitive Science, Musicology and Performance St
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Between Material and Ideas: A Process-Based Spatial Model of Artistic Creativityposer and improviser. The model describes the creative process as a structured exploration of the space of the possible, emphasising the interplay between a dynamic concept and the changing material form of the work. Combining ideas, tools, material and memory, creativity is described as a coherent,
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Computer Programming in the Creative Artsming in the arts, examining how the creative process has been extended to include the authorship and execution of algorithms. The role of human perception in this process is a focus, contrasted and ultimately combined with a more usual linguistic view of programming. Practical impacts on the notatio
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