Titlebook: Computer Music Instruments; Foundations, Design Victor Lazzarini Textbook 2017 Springer International Publishing AG 2017 Computer Music.El

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書(shū)目名稱Computer Music Instruments影響因子(影響力)




書(shū)目名稱Computer Music Instruments影響因子(影響力)學(xué)科排名




書(shū)目名稱Computer Music Instruments網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Computer Music Instruments網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Computer Music Instruments被引頻次




書(shū)目名稱Computer Music Instruments被引頻次學(xué)科排名




書(shū)目名稱Computer Music Instruments年度引用




書(shū)目名稱Computer Music Instruments年度引用學(xué)科排名




書(shū)目名稱Computer Music Instruments讀者反饋




書(shū)目名稱Computer Music Instruments讀者反饋學(xué)科排名

騷擾

voluble

GRIPE

Dienstleistungs- und Kooperationsmanagement,possible for the types of software we have been exploring in this book. In the course of the text, we will introduce the key aspects of MIDI and OSC, and examine the possibilities for the provision of graphical and physical interfaces to computer instruments.

indigenous

exquisite

Interactionpossible for the types of software we have been exploring in this book. In the course of the text, we will introduce the key aspects of MIDI and OSC, and examine the possibilities for the provision of graphical and physical interfaces to computer instruments.

exquisite

Operationalisierung der Konstruktey of programming dedicated signal-processing algorithms that can be placed within the Csound environment or used as stand-alone programs. The chapter concludes with an overview of how these three systems can coexist in an instrument development scenario

有危險(xiǎn)

異教徒

Source-Filter Modelss, followed by an exploration of dynamic parameter shaping. The next section discusses filters in terms of their fundamental characteristics and their application in spectral modification. The chapter concludes with instrument examples demonstrating source-filter synthesis.

制度

Feedback and Adaptive Systemsiving rise to adaptive forms of FM/PM and related distortion techniques. The second part of the chapter takes a closer look at various forms of feedback modulation of amplitude and frequency, as well as the principles of periodic time-varying filters. Code examples in Csound and Faust illustrate each technique discussed.