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Titlebook: Computational Intelligence in Music, Sound, Art and Design; 8th International Co Anikó Ekárt,Antonios Liapis,María Luz Castro Pena Conferen

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21#
發(fā)表于 2025-3-25 06:59:15 | 只看該作者
22#
發(fā)表于 2025-3-25 10:49:57 | 只看該作者
https://doi.org/10.1007/978-1-349-22396-1nd optimal arrangements for several well-known paintings using three iterative optimization algorithms: stochastic hillclimbing, simulated annealing and the plant propagation algorithm. We discuss the performance of the algorithms, relate the found objective values to the polygonal invariants and supply a challenge to the community.
23#
發(fā)表于 2025-3-25 14:24:33 | 只看該作者
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發(fā)表于 2025-3-25 18:05:35 | 只看該作者
,Adversarial Evolution and Deep Learning – How Does an Artist Play with Our Visual System?,es associated with influential art movements of the 19th and 20th Century. A detailed analysis of its work can help us to better understand the way an artist plays with the human visual system to produce aesthetically appealing images.
25#
發(fā)表于 2025-3-25 23:50:36 | 只看該作者
Paintings, Polygons and Plant Propagation,nd optimal arrangements for several well-known paintings using three iterative optimization algorithms: stochastic hillclimbing, simulated annealing and the plant propagation algorithm. We discuss the performance of the algorithms, relate the found objective values to the polygonal invariants and supply a challenge to the community.
26#
發(fā)表于 2025-3-26 00:46:48 | 只看該作者
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發(fā)表于 2025-3-26 05:05:10 | 只看該作者
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發(fā)表于 2025-3-26 09:41:13 | 只看該作者
A Rational Approach to Immune Interventionound that audience members perceived the quality of improvised presentations using these generated slide decks to be on par with presentations using human created slide decks for the . performance format. . is thus a valuable new creative tool for improvisers to perform with, and for anyone looking to improve their presentation skills.
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發(fā)表于 2025-3-26 14:54:44 | 只看該作者
30#
發(fā)表于 2025-3-26 18:28:12 | 只看該作者
Kathrin M. M?slein,Emilio E. Matthaeibased on interactive evolutionary computation techniques. The paper discusses the special difficulties encountered in programming synthesizers, the motivation behind these techniques, and their design. It then evaluates them in an experiment with novice synthesizer users, and concludes with additional observations regarding utility and efficacy.
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