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Titlebook: Comparing Postcolonial Literatures; Dislocations Ashok Bery (Senior Lecturer in English),Patricia M Book 2000 Palgrave Macmillan, a divisio

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發(fā)表于 2025-3-25 06:04:10 | 只看該作者
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發(fā)表于 2025-3-25 10:41:23 | 只看該作者
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發(fā)表于 2025-3-25 13:23:45 | 只看該作者
dislocate some of the commonly accepted cultural, linguistic and geographical boundaries that have previously informed post-colonial studies. Collected essays include: cross-cultural comparisons from areas as diverse as Africa, Ireland and Latin America; analysis of specific texts as sites of border
24#
發(fā)表于 2025-3-25 19:30:19 | 只看該作者
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發(fā)表于 2025-3-25 20:52:20 | 只看該作者
,R?umliche Stabwerke (Matrizenrechnung), such places.. The story of the monument is that of idea (nation/freedom) transformed into performance (war/death), performance into artefact (incised granite) and artefact into pedagogy (history). It is a narrative that is rehearsed, repeated and performed over again within the linear time of the Western nation state.
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發(fā)表于 2025-3-26 02:28:01 | 只看該作者
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發(fā)表于 2025-3-26 07:21:32 | 只看該作者
‘It’s a Free Country’: Visions of Hybridity in the Metropolis such places.. The story of the monument is that of idea (nation/freedom) transformed into performance (war/death), performance into artefact (incised granite) and artefact into pedagogy (history). It is a narrative that is rehearsed, repeated and performed over again within the linear time of the Western nation state.
28#
發(fā)表于 2025-3-26 10:58:21 | 只看該作者
29#
發(fā)表于 2025-3-26 14:21:19 | 只看該作者
Inside-Out: Literature, Cultural Identity and Irish Migration to England as ‘marginal Britons’, the domestication of the Irish within an overarching ‘British’ identity which might absorb disruptive and oppositional energies.. Both problematically part of Britain, and its problematical colonial other, Ireland’s position might be described as that of a ‘metropolitan colony’.
30#
發(fā)表于 2025-3-26 19:39:29 | 只看該作者
Book 2000 and revisions of post-colonial theoretical frameworks. A timely questioning of the categories of a critical field at the point when it is becoming increasingly comparative, this volume seeks to suggest more dynamic ways of working in post-colonial cultural studies.
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