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Titlebook: Comparative Literature and the Historical Imaginary; Reading Conrad, Weis Kaisa Kaakinen Book 2017 The Editor(s) (if applicable) and The Au

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發(fā)表于 2025-3-21 16:42:55 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Comparative Literature and the Historical Imaginary
副標題Reading Conrad, Weis
編輯Kaisa Kaakinen
視頻videohttp://file.papertrans.cn/231/230940/230940.mp4
概述Provides a new model for how to read comparatively.Takes into account the heterogeneity of our current, globalised reading context.Opens up new discussions about the future legibility of historical na
叢書名稱Palgrave Studies in Modern European Literature
圖書封面Titlebook: Comparative Literature and the Historical Imaginary; Reading Conrad, Weis Kaisa Kaakinen Book 2017 The Editor(s) (if applicable) and The Au
描述This book argues that increasingly transnational reading contexts of the twenty-first century place new pressures on fundamental questions about how we read literary fiction. Prompted by the stylistic strategies of three European émigré writers of the twentieth century — Conrad, Weiss and Sebald — it demonstrates the need to pose more differentiated questions about specific effects that occur when literary narratives meet a readership with a heterogeneous historical imaginary. In conversation with reception theory, trauma theory and transnational and postcolonial studies, the study shows how historical pressures in the twentieth and twenty-first centuries require comparative literature to address not only implied but also various unimplied reading positions that engage history in displaced yet material ways. This book opens new analytical paths for thinking about literary texts as media of historical imagination and conceiving relations between incommensurable historical events and contexts. Challenging overly global and overly local readings alike, the book presents a sophisticated contribution to discussions on how to reform the discipline of comparative literature in the twenty-
出版日期Book 2017
關鍵詞Transnational; Narrative; Contemporary; Postimperial; Methodology
版次1
doihttps://doi.org/10.1007/978-3-319-51820-6
isbn_softcover978-3-319-84749-8
isbn_ebook978-3-319-51820-6Series ISSN 2634-6478 Series E-ISSN 2634-6486
issn_series 2634-6478
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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沙發(fā)
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Coordinates of Comparison in ,ear historical narratives and to probe the novel’s vast transnational frame of historical reference for degeneralizing modes of historical relation. Focusing on passages on Bertolt Brecht, Karin Boye, Rosalinde Ossietzky and the ancient temple of Angkor Wat in Cambodia, Kaakinen shows how these pass
地板
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Imperial Comparison and Postcolonial Reading naturalized British citizen of Polish descent. The work of Conrad presents a case in which certain poetic strategies can be seen to unintentionally produce reading positions for various unimplied situated readers. In Chapter 4 Kaakinen first demonstrates how Conrad’s texts divide their readers acco
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發(fā)表于 2025-3-22 11:56:56 | 只看該作者
Conrad as a BridgePolish reception of Conrad has been able to imagine a secondary implied address in Conrad to the Polish context, Conrad’s non-European or racialized readers face Conrad’s texts as unwelcome readers excluded from the hierarchical conversation set up in Conrad’s texts. But while these positions are in
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Configurations of the Present in Sebald Sebald’s untimely narratives of trauma can provide openings beyond national or otherwise insular discussions on imperialism and trauma, Kaakinen also stresses the limits of Sebald’s texts as media of transcultural memory. Sebald’s implied reading mode of melancholic identification, which transcends
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Kaisa KaakinenProvides a new model for how to read comparatively.Takes into account the heterogeneity of our current, globalised reading context.Opens up new discussions about the future legibility of historical na
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