Titlebook: Communicating Ice through Popular Art and Aesthetics; Anne Hemkendreis,Anna-Sophie Jürgens Book 2024 The Editor(s) (if applicable) and The

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Constituent Parts of Static Converters,ce villains to highlight how the intrinsically hybrid and changing nature of sequential art – and its ability to visually express non-visual emotions – can help us imagine the unimaginable (ecological futures) and define what might be called the ‘visual narratives of ice’.

制造

Static Conversion Through an AC Link,ew language. With ice animates such as Olaf the snowman, we are emotionally reshaped, bent and stretched, as we move closer to imagining and intuiting the enormous importance of the ice in our world—and the need for humans to develop a new emotional relationality with it.

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2634-6451 diences. In doing so, the volume will illuminate the cultural power of ice research and contribute to a better understanding of the cultural work that emerges from our ecological crisis.978-3-031-39789-9978-3-031-39787-5Series ISSN 2634-6451 Series E-ISSN 2634-646X

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Ice Stages and Staging Icelects a determination to shift public and academic attention away from the dominant epistemologies and practices associated with the natural and life sciences. The cryosphere, as indigenous writers have long noted, is also integral to Arctic, cold and mountainous communities’ homelands and knowledge

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Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communicationertain and transform meaning around climate change, particularly using ice, fire and other iconic representations. Climate icons are entities or representations through which individuals relate to and find meaning regarding climate change, acting as personal metaphors to engage with its overwhelming

夜晚

Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary reach the North Pole, and for giving birth to their daughter while in the high Arctic. This chapter unpacks the complex interactions between gender, race and environment in the colonial ‘contact zone’ constructed through Diebitsch-Peary’s ethnographic writings. Diebitsch-Peary published a travel na

VOC

Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zonese eternal ice has been a central motif of sublimity since the nineteenth century. Starting from an elementary perspective on the medium of ice and the notion of ice as a real-time system, as formulated by artist Hans Haacke in the 1960s, this chapter critically examines various works of art from the