Titlebook: Comics Memory; Archives and Styles Maaheen Ahmed,Beno?t Crucifix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Memory and

Flexibility

書目名稱Comics Memory影響因子(影響力)




書目名稱Comics Memory影響因子(影響力)學(xué)科排名




書目名稱Comics Memory網(wǎng)絡(luò)公開度




書目名稱Comics Memory網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Comics Memory被引頻次




書目名稱Comics Memory被引頻次學(xué)科排名




書目名稱Comics Memory年度引用




書目名稱Comics Memory年度引用學(xué)科排名




書目名稱Comics Memory讀者反饋




書目名稱Comics Memory讀者反饋學(xué)科排名

ABOUT

“It’s All Come Flooding Back”: Memories of Childhood Comicsnships related to reading. It also offers some initial thoughts on gender and nostalgia and on the way some dominant discourses around childhood are disrupted by accounts of comic reading, making forgotten aspects of childhood experience visible.

確保

Archives and Oral History in Emmanuel Guibert’s y interviews with photographic remains. By making visible the various inclusion and exclusion mechanisms which preside over its creation, . questions the relations between the archive and personal memory. The chapter shows how this reflexion draws heavily on the confrontation between two different media of memory, photography, and drawing.

漂泊

The Ever-Shifting Wall: Edmond Baudoin and the “Continuous Poem” of Autobiographyrs. Taking in account comics-making as a potentially archival art, and by focusing on a number of textual and representational strategies of the author, we will engage with how Baudoin thematizes that which Carolyn Steedman called the difficulties of retrieving past traces.

復(fù)習(xí)

Keep Out, or Else: Diary as Body in , and both fictional and real. Considering the diaristic conventions of the “keep out or else” notices included in each text, as well as the fantasies of self-harm each protagonist engages, this chapter excavates the possibilities and boundaries of such a performative, textual surrogacy.

胰島素

The Un-Erotic Dancer: Sylvie Rancourt’s struction of Melody as an innocent girl who falls haphazardly into exotic dancing to survive. The reconstruction of her episodic memory promotes greater sympathy and understanding for a sex worker, for her tawdry life, leading ultimately to Rancourt’s self-empowerment and self-understanding.

胰島素

: Bridging Personal and Collective Memories of L’Association and Comics Historyyears of the 2005–2010 “crisis-panic” of L’Association with, on the one side, the old-fashioned world of classic Franco-Belgian comics and on the other, the not-so-new-anymore world of L’Association. Hence, Trondheim illustrates with humor how an adventure of Spirou can be read as a bridge between comics and memory.

單純

破布

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