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Titlebook: Comic Provocations; Exposing the Corpus Holly A. Crocker (Assistant Professor of English) Book 2006 Palgrave Macmillan, a division of Natu

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樓主: CANTO
21#
發(fā)表于 2025-3-25 04:29:16 | 只看該作者
Social Entrepreneurship and Social Business This truism about fabliau women has been used by some as evidence to demonstrate the fabliaux’ misogyny, while others have argued that it puts women “on top,” making us admire the clever resourceful heroine and laugh scornfully at the weak, gullible, or dim-witted husband.. It is not my intent in t
22#
發(fā)表于 2025-3-25 09:41:09 | 只看該作者
Barefoot College: Philosophy and Governance,r lack of a more precise alternative, the genre has mainly been defined in very general terms, by way of its length, its content, and its effect: All fabliaux are short (ranging from eighteen lines to approximately twenty printed pages), they are mostly sexual or scatological in theme, and they are
23#
發(fā)表于 2025-3-25 13:27:28 | 只看該作者
24#
發(fā)表于 2025-3-25 18:51:38 | 只看該作者
25#
發(fā)表于 2025-3-25 20:30:52 | 只看該作者
Ashok Prasad,Mathew J. Manimalaination with clothing across the fabliaux is distinct from other literary representations. In the romance tradition, which normally features noble characters, clothing often serves a revelatory purpose, displaying virtue and status even before characters demonstrate these qualities. In other instanc
26#
發(fā)表于 2025-3-26 00:23:19 | 只看該作者
Deepika Chandra Verma,Runa Sarkar), . (5.51), and . (3.18) register a conflict among different modes of economic organization—gift, barter, and money economies. The conflict among these different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of eco
27#
發(fā)表于 2025-3-26 07:25:33 | 只看該作者
28#
發(fā)表于 2025-3-26 08:38:36 | 只看該作者
29#
發(fā)表于 2025-3-26 14:54:25 | 只看該作者
30#
發(fā)表于 2025-3-26 17:10:38 | 只看該作者
Pauline J. Sheldon,Roberto Danieleude or rogue-like, to say the least. After all, as Jacques Derrida puts it in one of his last published essays, “One begins acting like a [rogue] as soon as one begins uttering ‘profanities’.” . In abdicating “proper speech” for those erotically charged linguistic turns through which rudeness marks
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