Titlebook: Comedy in Crises; Weaponising Humour i Chrisoula Lionis Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

stratum-corneum

Transition to a Market Economy in Hungaryereotypes. The work of Kara Walker, however, uses ambivalent, humorous strategies in its address of race. This is particularly clear in her massive memorial fountain, . (previously installed at the Tate Modern), a work that references the legacies of the British Empire and the transatlantic slave tr

scrutiny

寵愛

拉開這車床

FRONT

Transition to a Market Economy in Poland in crisis’. Investigating how humour might intervene in the instrumentalisation of political, social and national clichés, Chiavara’s practice sheds light on how essentialised stereotypes became consumable commodities both within and beyond Greece’s borders during the European economic crisis. Focu

immunity

Transition to a Market Economy in Polandsitions the work of artist within Indigenous paradigms. Informed by Bell’s claim of being an ‘a(chǎn)ctivist masquerading an artist’, Flynn’s interview uncovers how ontological and axiological praxes of communal responsibility are demonstrated in Bell’s work, where humour is weaponised to challenge issues

小溪

屈尊

Motilin

Jiaping Han韓家平,Didi Xu 許荻迪,Yuanyuan Guan 關(guān)媛媛 the public against the threat of violence in the age of mass shootings. However, what about those that turn to laughter and humour in response to violence? How can we critique violence using parodic devices, rather than ‘thoughts and prayers’? Responding to these questions, Altomonte considers how

TEN

https://doi.org/10.1007/978-3-658-29653-7en?promoted by mainstream?far-right parties with the support of neo-fascist organisations?over the last decade. Matteo Salvini, the former Deputy Prime Minister?(2018–2019), and Giorgia Meloni, the current Prime Minister (elected in 2022),?have become the main spokespersons for an Italian far-right