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Titlebook: Comedies of Nihilism; The Representation o Amir Khan Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Pursuits of happiness.S

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31#
發(fā)表于 2025-3-26 22:58:05 | 只看該作者
32#
發(fā)表于 2025-3-27 02:50:51 | 只看該作者
33#
發(fā)表于 2025-3-27 06:39:58 | 只看該作者
Losing the Name of Action: ,, shock-term designed to garner a chuckle due to the severity of the verb and the unconventionality of the phrasing. The juxtaposition of “rape” and “face” does force the mind to think of what such an idiom, were it to make it into wide enough circulation, would entail or consist of. Not that I have
34#
發(fā)表于 2025-3-27 12:33:42 | 只看該作者
Conclusion,e generally regarded as the “comedic” genre. However, the instruction to seriousness in each comes in select moments of liberation, where history, or what we take to be a world beyond the world of the film proper, intrudes upon our sensibilities. This is quite apparent in our first three films. Reit
35#
發(fā)表于 2025-3-27 16:17:28 | 只看該作者
ular films: Up in the Air, Tropic Thunder, JCVD, Winnebago M.This book presents close-readings of seven post-millennial comedic films: .Up in the Air.,.?Tropic Thunder.,?.JCVD.,?.Winnebago Man.,.?The Trotsky.,.?Be Kind Rewind., and?.Hamlet 2.. It is a sequel to Stanley Cavell’s 1981 landmark study o
36#
發(fā)表于 2025-3-27 21:11:41 | 只看該作者
All War and No Agency: ,,y of hip-hop culture (Alpa Chino),?climate crises (the . franchise), gay marriage (.), or intellectual disability (.), is open to interpretation. . may be simply a spoof film after all, less an indictment of nihilism than an example, however comedic, of it.
37#
發(fā)表于 2025-3-27 22:54:22 | 只看該作者
38#
發(fā)表于 2025-3-28 05:35:20 | 只看該作者
39#
發(fā)表于 2025-3-28 09:16:03 | 只看該作者
https://doi.org/10.1007/b102377ver it is we take . to be doing. After that, it is merely a matter of making the case that . is the right piece of cinema to bring this intuition to bear, which then does become a matter, or consideration, of content.
40#
發(fā)表于 2025-3-28 14:21:58 | 只看該作者
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