Titlebook: Colour and Experience in Nineteenth-Century Poetry; Richard Cronin Book 1988 Richard Cronin 1988 color.experience.John Keats.language.medi

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institute

https://doi.org/10.1007/978-3-0348-6747-4 God that he ‘finds it hard to be a Christian’. Neither poem offers much scope for the reader prepared to be interested in everything about Browning except what he thought. The value of both is heavily dependent on an interest in their arguments, and such an interest can no longer be reckoned genera

煩憂

Blind Hopeer cloak shows that she has been motionless for some time. Madox Brown does not notice the picture’s ordinariness; the uncluttered landscape, the straggle of neat buildings in the distance, the battered harmonium on the blind girl’s lap, her little friend’s clumsy, heavy boots. Both their responses

CRAFT

crucial

Colour and Experience in Nineteenth-Century Poetry

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Colour and Experience in Nineteenth-Century Poetry978-1-349-09556-8

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Brittle

deforestation

Necessary conditions: Interlacement,ustrate ., one of the paintings he exhibited that year, was less than startling. The painting shows a boat drifting, as the rowers contemplate a sombre landscape that has been blessed by a pale rainbow. Turner chose the lines from Thomson’s . which were the most famous of all eighteenth-century atte

逢迎白雪

Simultaneous Stabilization of Linear Systemseridge’s central symbols for the imagination. Coleridge’s definition of the symbol as the ‘translucence of the infinite through the finite’ suggests how the rainbow may represent the defining activity of the poet’s imagination, for, in the rainbow, light, the type of the infinite, shines through a t