Titlebook: Colonialism, Modernity, and Literature; A View from India Satya P. Mohanty Book 2011 Satya P. Mohanty 2011 colonialism.dialectic.gender.gir

免除責(zé)任

Stress-Fracture

退出可食用

過剩

The Emergence of the Modern Subject in Oriya and Assamese Literatures: Fakir Mohan Senapati and Hemcdies of nineteenth-century Indian literature. The “modernity” that has been defined in terms of the emergence of a sharp critical self, which seeks to expose the weaknesses in traditional social structures, has often been seen as the manifestation of the western Enlightenment. The emergence of the m

緯線

分貝

“Why Don’t You Speak?”: The Narrative Politics of Silence in Senapati, Premchand, and Monica Ali: as a wily landowner, a neglectful husband, and a ruthless acquirer of the eponymous chunk of land, Mangaraj has, in fact, no interest in what his wife has to say. Nevertheless, his rhetorical questions speak to a larger concern in the narrative politics of . and of fictional texts in general. Whil

Esophagus

高度

The Tradition-Modernity Dialectic in ,1), revisits one of the most popular themes in his writings, namely the tension between acquired modernity and inherited tradition. In a few deft brushstrokes he traces the rise of a man to a position of wealth and eminence and the fall of his only son to a state of penury and disgrace. The father,

高爾夫

PAC

https://doi.org/10.1057/9780230118348colonialism; dialectic; gender; girls; novel; politics; women; area studies