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Titlebook: Collaborative Praxis and Contemporary Art Experiments in the MENASA Region; Atteqa Ali Book 2020 The Editor(s) (if applicable) and The Aut

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發(fā)表于 2025-3-26 23:08:42 | 只看該作者
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發(fā)表于 2025-3-27 01:33:37 | 只看該作者
https://doi.org/10.1057/9780230623354at this is how art functions today. Rather than a static view of the art object, he argues that contemporary art encourages encounters over time. It is about exchanges between people, rather than about an individual looking at an isolated object. Some writers feel that Bourriaud’s theory is limited
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發(fā)表于 2025-3-27 07:17:01 | 只看該作者
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發(fā)表于 2025-3-27 12:42:45 | 只看該作者
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發(fā)表于 2025-3-27 14:02:24 | 只看該作者
https://doi.org/10.1057/9781137313553 ghetto?in the West and the mega-city in developing nations. What are the issues that coincide in both locales. Living on the margins of the world and the periphery of the society, overlapping conditions of existence emerge in the distant sites. The work of Theaster Gates, Rick Lowe, and Mark Bradfo
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發(fā)表于 2025-3-27 21:29:39 | 只看該作者
Shakespeare, Poet of the Impossible,collaborative, socially engaged projects to the work of grassroots, community-based arts organizations. Overlaps exist between the two apparently distinct?endeavors that connect audiences with art. Artists adopt organizational methods, while entities mimic artistic manners. In coming together, artis
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發(fā)表于 2025-3-27 23:01:29 | 只看該作者
https://doi.org/10.1007/978-3-030-47925-1Socially Engaged Art; Middle East; North Africa; South Asia; Collaborative Art; Community; Relational Aest
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發(fā)表于 2025-3-28 02:51:06 | 只看該作者
978-3-030-47927-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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發(fā)表于 2025-3-28 08:13:40 | 只看該作者
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