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Titlebook: Collaboration and Resistance in Occupied France; Representing Treason Christopher Lloyd Book 2003 Palgrave Macmillan, a division of Macmill

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發(fā)表于 2025-3-21 19:44:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Collaboration and Resistance in Occupied France
副標(biāo)題Representing Treason
編輯Christopher Lloyd
視頻videohttp://file.papertrans.cn/230/229371/229371.mp4
圖書封面Titlebook: Collaboration and Resistance in Occupied France; Representing Treason Christopher Lloyd Book 2003 Palgrave Macmillan, a division of Macmill
描述This book is about how people behaved during the German occupation of France during World War Two, and more specifically about how individuals from different social and political backgrounds recorded and reflected on their experiences during and after these tragic events. The book focuses on the concepts of treason and sacrifice, and takes the form of an introductory overview, followed by contextualised case studies in the areas of politics, daily life, civil administration, paramilitary action, literature and film.
出版日期Book 2003
關(guān)鍵詞bibliography; Case Studies; concept; English literature; event; experience; film; France; German; individual;
版次1
doihttps://doi.org/10.1057/9780230503922
isbn_ebook978-0-230-50392-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2003
The information of publication is updating

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Writers,ok at the resistance novel and Roger Vailland’s contribution to the elaboration of this genre. Vailland’s revolutionary idealism as a communist fellow traveller may evidently be ideologically opposed to authors like Pascal Jardin, René Barjavel and Marcel Aymé whose sympathy for Vichy and distrust o
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Films,g the facts of history for the purposes of fictionalised entertainment, mythification of national obsessions or, occasionally, more disinterested documentary enquiry. But even accounts which strive for a degree of objectivity are filtered through the imagination of producers, directors and screenwri
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Conclusion,ctured by influences other than historians, from folksong, myth and tradition to pulp fiction, broadsheets and the popular press’ (2000: 207). Although all interpretations of the past are by definition retrospective, this does not mean they are purely arbitrary or equally valid: we need to distingui
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Servoantriebe in der Automatisierungstechnikul to examine some broader issues of a methodological sort, which are partly formal (relating to historiography and the historical acceptability of certain genres) and partly ethical and moral (most books on the Second World War usually rest on assumptions about good and evil, right and wrong, even
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Sensoren bei elektrischen Antrieben,d to review the working of the administrative machinery of the French state in some detail. The most illuminating answers, however, come as always from individual experience, as one moves from the objective anonymity of the statistical record to the subjective immediacy of personal narrative.
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Servoantriebe in der Automatisierungstechniknd and Norway could be either sentenced to death immediately or deported without any further contact with the outside world being permitted. Hitler is said personally to have chosen the Wagnerian expression ‘night and fog’ to evoke this disappearance into a living death which awaited at least 6000 F
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