Titlebook: Coleridge’s Experimental Poetics; J. C. C. Mays Book 2013 J. C. C. Mays 2013 Coleridge.poetics.poetry.philosophy.poem.poet.Samuel Taylor C

背心

,“So viel Anfang war noch nie” [or, There has never been so much beginning],correspondents or owners of albums; and yet another class of usually more extensive later poems is distinct by virtue of a shared structural principle. They work the tensions that drive them within structures that remain stable: their striking feature is a sense of balance, equipoise as distinct fro

appall

Readerly Reflections, approach it in poems like “Hymn before Sun-rise” (.), his late “Impromptu Lines at Namur” (.) retain the image of inspiration he always felt most comfortable with:.A significant contradiction is nevertheless involved in Coleridge’s usage.

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Indolent

https://doi.org/10.1057/9781137350237Coleridge; poetics; poetry; philosophy; poem; poet; Samuel Taylor Coleridge; British and Irish Literature

Endometrium

endocardium

2691-1256 cess of experimentation and provides a new perspective on both familiar and unfamiliar poems, as well as the relation between Coleridge‘s poetry and philosophical thinking.978-1-349-45324-5978-1-137-35023-7Series ISSN 2691-1256 Series E-ISSN 2634-5218

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高爾夫

Wie macht man das Unternehmen einladend? at it has a distinctive style, as one might say Bach or Beethoven have styles of their own in comparison with, say, Saint Saens, who composed in a variety of styles and is therefore sometimes dismissed as having none? More than many other poets, Coleridge appears to have written verse at every oppor

STEER

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