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Titlebook: Coleridge, Language and the Sublime; From Transcendence t Christopher Stokes Book 2011 Palgrave Macmillan, a division of Macmillan Publishe

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發(fā)表于 2025-3-21 20:04:23 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Coleridge, Language and the Sublime
副標(biāo)題From Transcendence t
編輯Christopher Stokes
視頻videohttp://file.papertrans.cn/230/229332/229332.mp4
圖書封面Titlebook: Coleridge, Language and the Sublime; From Transcendence t Christopher Stokes Book 2011 Palgrave Macmillan, a division of Macmillan Publishe
描述Traversing the themes of language, terror and representation, this is the first study to engage Coleridge through the sublime, showing him to have a compelling position in an ongoing conversation about finitude. Drawing on close readings of both his?poetry and prose, it depicts Coleridge as a thinker of ‘the limit‘ with contemporary force.
出版日期Book 2011
關(guān)鍵詞Close reading; Immanuel Kant; ontology; poetry; prose; Samuel Taylor Coleridge; British and Irish Literatu
版次1
doihttps://doi.org/10.1057/9780230295063
isbn_softcover978-1-349-32593-1
isbn_ebook978-0-230-29506-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:16:09 | 只看該作者
Mahboobeh Moghaddam,Joseph G. Davis, poetry that seized its readers’ imaginations with no uncertain violence: this was just as much the core of the sublime for an early eighteenth-century reader as any thought of mountains or storms. It is thus important, I think, to be faithful to this history, and to give the matter of language and
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地板
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Teuku Aulia Geumpana,Fethi Rabhi,Liming Zhudisturbing gothic touches and a foreboding sense of hostility and danger.. If we were to look for literary analogues, it would not be in the fantastic excess of Milton (invoked by Kitson), but rather something like Friedrich Schiller’s .. As a young Coleridge wrote in 1794, in a note appended to an
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發(fā)表于 2025-3-22 12:11:59 | 只看該作者
Amin Beheshti,Mustafa Hashmi,Wei Emma Zhanghe poem not just fundamentally incoherent, but exorbitantly so.. We might read the phrase as a kind of self-multiplying and self-deepening tautology: more obscure (Dutch) than obscure (German) obscurity (sublimity).
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https://doi.org/10.1007/978-3-030-32242-7ed in the Limbo poems. Fragmentary and self-interrupting, it is a text of finitude and non-absoluteness. The relationship between the two texts may be emblematic for the double-sidedness of Coleridge — and of the sublime — on which I have insisted throughout. I close the chapter by comparing my conc
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