Titlebook: Coleridge‘s Dejection Ode; J.C.C. Mays Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natu

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farewell

How We Got Where We Are as We Cease to Be There,eteenth century, it was seen as Coleridge’s sad farewell to poetry. At the end of the century and during the earlier part of the twentieth, it provided a reference point for interpreting Coleridge’s ideas of beauty and the Imagination. In the later part of the twentieth century, following the discov

isotope

Editorial Excursion,evealing, they should be understood as separate: both editorially and in terms of literary ambition. The Ode began as an oral composition of highly wrought stanzas and groups of stanzas that stalled: viz. failed to come together as a whole. The Letter incorporated them into a reckless, muddled confe

Expertise

BRAWL

Language and Allusion,t are not always obvious. The meaning of a word often depends on its etymology and changing history; at other times, it changes as it is heard in a different context. The practice sometimes consolidates meaning, at other times appears to destabilise it, and at all times requires close attention. The

膽小鬼

膽小鬼

躺下殘殺

粘連

Beyond the Poem,s within a broader frame of reference. Dejection Ode is taken as the central text of a poet-philosopher (as distinct from philosophic poet) for the manner in which it applies the resources of verse to the process of conceptual understanding. Such an enterprise positions Coleridge obliquely to the ma

可忽略

2691-1256 d “dejection”.Examines the second half of Coleridge’s career.Coleridge‘s Dejection Ode.?completes J.C.C. Mays’ analysis of Coleridge’s poetry, following?.Coleridge’s Ancient Mariner.?(Palgrave 2016) and?.Coleridge’s Experimental Poetics.?(Palgrave 2013).?"Dejection: An Ode" stands alone in Coleridge