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Titlebook: Coleridge and the Romantic Newspaper; The ‘Morning Post‘ a Heidi Thomson Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Pri

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發(fā)表于 2025-3-21 18:11:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Coleridge and the Romantic Newspaper
副標(biāo)題The ‘Morning Post‘ a
編輯Heidi Thomson
視頻videohttp://file.papertrans.cn/230/229324/229324.mp4
概述Looks at a significant yet under-explored period/aspect of Coleridge‘s career and literary output.Fills a considerable gap in understandings of Coleridge’s private torment and how this relates to his
圖書封面Titlebook: Coleridge and the Romantic Newspaper; The ‘Morning Post‘ a Heidi Thomson Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Pri
描述This book examines?how Coleridge staged his private woes in the public space of the newspaper.?It looks at his publications in the .Morning Post., which first published one of his most famous poems,?.Dejection. An Ode. .It?reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way.?Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
出版日期Book 2016
關(guān)鍵詞Print Culture; Magazines; Wordsworth; Romanticism; Poetry
版次1
doihttps://doi.org/10.1007/978-3-319-31978-0
isbn_softcover978-3-319-81168-0
isbn_ebook978-3-319-31978-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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沙發(fā)
發(fā)表于 2025-3-21 22:44:31 | 只看該作者
The Return from Germany,r Daniel Stuart’s . in November 1799. The death of Coleridge’s nine-month-old son, Berkeley, during his stay in Germany marked the beginning of estrangement from his wife Sara. But while relations with his wife were strained upon his return, Coleridge resumed his friendship with his brother-in-law R
板凳
發(fā)表于 2025-3-22 02:31:27 | 只看該作者
地板
發(fā)表于 2025-3-22 05:51:11 | 只看該作者
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發(fā)表于 2025-3-22 11:28:12 | 只看該作者
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發(fā)表于 2025-3-22 13:33:46 | 只看該作者
,The 1800 ,, Mary Robinson, and ‘The Mad Monk’,heir . publications. In addition to offering each other mutual admiration and support, Coleridge and Robinson shared confidences about Wordsworth’s domestic and poetic plans. The chapter includes discussions of the connections between Robinson’s . and Wordsworth’s 1800 ., the relevance of Robinson’s
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發(fā)表于 2025-3-22 19:11:02 | 只看該作者
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發(fā)表于 2025-3-22 22:45:31 | 只看該作者
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發(fā)表于 2025-3-23 05:13:26 | 只看該作者
,Conclusion: ‘Dejection. An Ode’ in the , as a Palimpsest,It argues that the differences between the April ‘Verse Letter’ and the October newspaper version are not so much a matter of contrasts between so-called private and public versions, but of cumulative layering and resonance, a palimpsest in which the shifts in emphases and addressees are not so much
10#
發(fā)表于 2025-3-23 06:33:17 | 只看該作者
José Barbosa,Paulo Leit?o,Joy Teixeira poetic disappointments about Sara Hutchinson and William Wordsworth, for his ideas about reciprocity, and for his own experiments with poetry and poetics. My study blurs the distinction between private and public spheres by considering how Coleridge communicated private matters publicly.
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