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Titlebook: Cold War Stories; British Dystopian Fi Andrew Hammond Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 William Golding.C.S. L

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發(fā)表于 2025-3-21 18:24:10 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Cold War Stories
副標(biāo)題British Dystopian Fi
編輯Andrew Hammond
視頻videohttp://file.papertrans.cn/230/229304/229304.mp4
概述This is the first comprehensive study of modern British dystopian fiction.Addresses dystopian concerns which are rarely studied in scholarship.Argues that the British dystopian tradition evolved out o
圖書封面Titlebook: Cold War Stories; British Dystopian Fi Andrew Hammond Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 William Golding.C.S. L
描述This book?is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.. .
出版日期Book 2017
關(guān)鍵詞William Golding; C; S; Lewis; Raymond Williams; Salman Rushdie; Roald Dahl; totalitarianism; technology; rel
版次1
doihttps://doi.org/10.1007/978-3-319-61548-6
isbn_softcover978-3-319-87108-0
isbn_ebook978-3-319-61548-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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沙發(fā)
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E. P. Frenkel,R. G. Sheehan,M. J. Newtonects of the atomic age. ‘What then is one to think about war?’ he demanded, ‘What is one to think about man? What is one to think about the future?’ As the Cold War gathered pace in the 1950s, Dahl’s dystopian anxieties became a mainstay of British popular culture.
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Employee Performance Management Principles,The analysis of literary responses to the Cold War has made rapid progress in recent years. Emerging in the 1980s and 1990s, the field of study has its roots in US research into the multiple ways in which domestic authors responded to such events as McCarthyism, Soviet containment, arms escalation and military intervention in Korea and Vietnam.
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A Weakened Nation,The Cold War is most frequently defined by the US and Soviet strategies for waging a forty-five year struggle for global domination. As central as the superpowers were to the conflict, however, their power and influence was not representative of national experience in general.
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