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Titlebook: Cognitive Joyce; Sylvain Belluc,Valérie Bénéjam Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dubliners.Finnegans Wake.Ul

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發(fā)表于 2025-3-21 19:46:56 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cognitive Joyce
編輯Sylvain Belluc,Valérie Bénéjam
視頻videohttp://file.papertrans.cn/230/229055/229055.mp4
概述Reflects the latest research on the interaction between cognitive science and Joyce studies.Offers new perspectives on established cognitive studies theories including qualia, hypnagogia, and extended
叢書名稱Cognitive Studies in Literature and Performance
圖書封面Titlebook: Cognitive Joyce;  Sylvain Belluc,Valérie Bénéjam Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dubliners.Finnegans Wake.Ul
描述.This collection is the first book-length study to re-evaluate all of James Joyce‘s major fictional works through the lens of cognitive studies. .Cognitive Joyce?.presents Joyce‘s relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author‘s "extended mind" at work, into his characters‘ complex and at times pathological perceptive and mental processes, and into the elaborate responses the work elicits as we perform the act of reading. This volume not only offers comprehensive overviews of the oeuvre, but also detailed close-readings that unveil the linguistic focus of Joyce‘s drama of cognition.?.
出版日期Book 2018
關(guān)鍵詞Dubliners; Finnegans Wake; Ulysses; A Portrait of the Artist as a Young Man; qualia; hypnagogia; extended-
版次1
doihttps://doi.org/10.1007/978-3-319-71994-8
isbn_softcover978-3-030-10143-5
isbn_ebook978-3-319-71994-8Series ISSN 2945-7297 Series E-ISSN 2945-7300
issn_series 2945-7297
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:04:42 | 只看該作者
Book 2018itive Joyce?.presents Joyce‘s relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author‘s "extended mind" at work, into his characters‘
板凳
發(fā)表于 2025-3-22 01:59:16 | 只看該作者
2945-7297 studies theories including qualia, hypnagogia, and extended.This collection is the first book-length study to re-evaluate all of James Joyce‘s major fictional works through the lens of cognitive studies. .Cognitive Joyce?.presents Joyce‘s relationship to the scientific knowledge and practices of hi
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發(fā)表于 2025-3-22 06:30:01 | 只看該作者
Self-Evaluation and the Ends of Existenceoes the reader’s neurophysiological, imitative body respond to it? It is through a neuroaesthetic conception of reading as an embodied performance relying on empathic resonance and sensorimotor simulation that I propose to explore how the Joycean text reconfigures the reader’s sensorimotor experience.
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發(fā)表于 2025-3-22 09:05:18 | 只看該作者
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發(fā)表于 2025-3-22 16:50:22 | 只看該作者
Jennifer D. Campbell,Loraine F. Lavallee the collection: in the first half are to be found general articles pertaining to the whole of Joyce’s oeuvre, while essays in the second half present more detailed studies of individual works of fiction.
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發(fā)表于 2025-3-22 18:40:27 | 只看該作者
Self-Evaluation and the Ends of Existenceiew of the mind’s imaging tendencies, even in the purportedly imageless .. This essay explores Joyce’s emphases on visual (as well as auditory, tactile, olfactory, and gustatory) imaging, before turning to his career-long focus on hypnagogia, or near-sleep mental imaging.
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發(fā)表于 2025-3-23 00:17:54 | 只看該作者
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發(fā)表于 2025-3-23 04:18:54 | 只看該作者
Joyce and Hypnagogia,iew of the mind’s imaging tendencies, even in the purportedly imageless .. This essay explores Joyce’s emphases on visual (as well as auditory, tactile, olfactory, and gustatory) imaging, before turning to his career-long focus on hypnagogia, or near-sleep mental imaging.
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發(fā)表于 2025-3-23 07:43:34 | 只看該作者
https://doi.org/10.1007/978-1-4684-8956-9at Stephen grounds the reliability of knowledge in Aristotle’s theory of sensation and develops it through the theory of the soul as “form of forms,” a phrase which conveys the soul’s powerful cognitive role as receptive of all reality.
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