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Titlebook: Cognition in the Globe; Attention and Memory Evelyn B. Tribble Book 2011 Evelyn B. Tribble 2011 body.cognition.cognitive science.corpus.dra

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樓主: Destruct
21#
發(fā)表于 2025-3-25 05:20:39 | 只看該作者
2945-7297 ingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences,?it proposes that the cognitive work of theatre is distributed across body, brain, and world.978-1-349-29337-7978-0-230-11851-5Series ISSN 2945-7297 Series E-ISSN 2945-7300
22#
發(fā)表于 2025-3-25 09:35:28 | 只看該作者
https://doi.org/10.1007/978-3-8350-5538-4 their gestures. In the technical language of the period, derived from the classical rhetorical tradition, these twin arts were referred to as “accent and action.” “Accent” comprised pronunciation, or the technical art of speaking the verse, while “action” refers to gesture and the movement of the body.
23#
發(fā)表于 2025-3-25 14:50:50 | 只看該作者
Action and Accent: Voice, Gesture, Body, and Mind, their gestures. In the technical language of the period, derived from the classical rhetorical tradition, these twin arts were referred to as “accent and action.” “Accent” comprised pronunciation, or the technical art of speaking the verse, while “action” refers to gesture and the movement of the body.
24#
發(fā)表于 2025-3-25 17:17:49 | 只看該作者
25#
發(fā)表于 2025-3-25 21:45:24 | 只看該作者
Social Cognition: Enskillment in the Early Modern Theatre,d. Nevertheless, the structures and practices of the company merit attention in themselves, for these ultimately give shape and form to the plays. This chapter develops further my analysis of the early modern theatre as a workplace through an extended discussion of the
26#
發(fā)表于 2025-3-26 02:36:57 | 只看該作者
Selbstführung im Rahmen verteilter Führung of the purpose-built theatre. Companies successfully delivered performances, day after day, bringing together script, player, playing space, and audience in what seems like an unimaginably demanding environment. . seeks to answer a seemingly simple question: How did they do it?
27#
發(fā)表于 2025-3-26 04:57:35 | 只看該作者
Introduction, of the purpose-built theatre. Companies successfully delivered performances, day after day, bringing together script, player, playing space, and audience in what seems like an unimaginably demanding environment. . seeks to answer a seemingly simple question: How did they do it?
28#
發(fā)表于 2025-3-26 10:43:06 | 只看該作者
8樓
29#
發(fā)表于 2025-3-26 15:06:23 | 只看該作者
9樓
30#
發(fā)表于 2025-3-26 18:51:19 | 只看該作者
9樓
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