Titlebook: Classification of Musical Objects for Analysis and Composition; Linshujie Zheng,Guerino Mazzola Book 2023 The Editor(s) (if applicable) an

杠桿支點(diǎn)

Sigrun Marie Moss,Hajj Mohammed HajjThis chapter deals with chords, i.e., zero-addressed local composition denotators ., i.e. K : 0@.{c1 . . . ck} for the form . : .(.). Such denotators can also be interpreted as a 12-periodic rhythms, we shall occasionally consider this latter point of view.

Irrigate

幾何學(xué)家

Ana Carolina Esteves Dias,Derek ArmitageWe discuss the application of third chain classification to Riemannian harmony for general chords.

Yourself

MUT

Ana Carolina Esteves Dias,Derek ArmitageClassical Fuxian counterpoint is based upon a dichotomy of the set of 12 intervals within the set of pitch classes, specifying six consonances versus six dissonances. We characterize this dichotomy by its unique autocomplementarity symmetry that exchanges consonances and dissonances, and we calculate all possible dichotomies with this property.

Sigmoidoscopy

liposuction

Toward a Pedagogy of Cultural RelevanceThis section concludes the discussion of local classification with a presentation of the variety of dodecaphonic series.

贊美者

thwart

Ontology, Oniontology, and CreativityThis short chapter introduces first the global architecture of ontology of music, which this book is going to use extensively as an initial classifying perspective.

指耕作