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Titlebook: Classical Chinese Doors and Windows; Weidu Ma Book 2006Latest edition Springer-Verlag Vienna 2006 Ancient Chinese Design.Ancient Chinese H

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發(fā)表于 2025-3-21 18:10:43 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Classical Chinese Doors and Windows
編輯Weidu Ma
視頻videohttp://file.papertrans.cn/228/227050/227050.mp4
概述First documentation on traditional Chinese wood doors and windows.Clear introduction and account of the development of classical Chinese architecture.Beautifully finished illustrated book with its own
圖書封面Titlebook: Classical Chinese Doors and Windows;  Weidu Ma Book 2006Latest edition Springer-Verlag Vienna 2006 Ancient Chinese Design.Ancient Chinese H
描述.The decoration and design of doors and windows was a fixture in classical Chinese architecture. Doors and windows were symbolic curtains separating heaven and earth in traditional Chinese architecture. Opening these curtains created an all-important harmonious link between heaven and earth. The apex of classical Chinese architecture was in the Qin (221–206 B.C.) and Han periods (206 B.C.–220 A.D.), the Tang (618–906 A.D.) and Song periods (960–1127 A.D.) as well as the Ming (1368–1644 A.D.) and Qing periods (1644–1911 A.D.)...With its precisely printed illustrations and concise texts in English and Chinese, this large format, extremely elegantly finished book gives the reader an opportunity to study the major creations of these periods..
出版日期Book 2006Latest edition
關(guān)鍵詞Ancient Chinese Design; Ancient Chinese Handicraft; Carpentry; Design; Form; Wood; architecture; building
版次1
doihttps://doi.org/10.1007/978-3-211-69325-4
copyrightSpringer-Verlag Vienna 2006
The information of publication is updating

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Book 2006Latest editioneaven and earth in traditional Chinese architecture. Opening these curtains created an all-important harmonious link between heaven and earth. The apex of classical Chinese architecture was in the Qin (221–206 B.C.) and Han periods (206 B.C.–220 A.D.), the Tang (618–906 A.D.) and Song periods (960–1
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Metaphysics for Anti-Representationalists?,rted from the natural beauty created by houses with wood structures. Wood doors and windows thus became more and more remote to Chinese people, and door and window-related culture gradually faded and withered away.
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Conclusionrted from the natural beauty created by houses with wood structures. Wood doors and windows thus became more and more remote to Chinese people, and door and window-related culture gradually faded and withered away.
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