Titlebook: Classic-ing on the Australian mainstream stage; The place and phenom Susan McClements Wyss Book 2023 The Editor(s) (if applicable) and The

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TOXIC

The Classic, Postcolonial Resonance and Australia, outline of foundational and conceptual strands of the postcolonial scholarly field, to then address settler colonialism and expose the aporia in postcolonial discussion relevant to the Australian context. A short overview of Indigenous epistemologies and discourses of identity in Australia is provi

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An Actor as Classic-er,n 2014. Production histories reveal the infrequent revival patterns of these plays. However, the productions generated a sensation of temporal depth and purpose. Classic-ing here is seen through the lens of the leading actor, Julie Forsyth. In a socially determined process, her performance . these w

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An Unearthed Classic: ,play’s production – its life as a new play, its scholarly framing as a postcolonial drama, and the production chain of the classic version – illuminate the category. The Sydney Theatre Company’s 2016 ‘classic’ production demonstrates a mindset that flows through its marketing, predicating its classi

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Conclusion: The Practice of Classic-ing, six productions. This final chapter provides an overview of the features of classic-ing on the Australian mainstream stage. This is a practice which animates the entire production chain, from program choice, casting, and staging to audience reception and critical response.

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Afterword: Performing Classic in Australia from 1788 to 1994,is project. A comparative lens of Shakespeare production lends the account a time-tested perspective but does not necessarily represent the Australian classic phenomenon. The chapter considers socio-cultural conditions of theatre practice across four periods: colonial settlement, Federation, post-wa

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978-3-662-68177-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE