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Titlebook: Class, Leisure and National Identity in British Children‘s Literature, 1918-1950; Hazel Sheeky Bird Book 2014 Palgrave Macmillan, a divisi

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發(fā)表于 2025-3-21 19:30:46 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Class, Leisure and National Identity in British Children‘s Literature, 1918-1950
編輯Hazel Sheeky Bird
視頻videohttp://file.papertrans.cn/228/227018/227018.mp4
叢書名稱Critical Approaches to Children‘s Literature
圖書封面Titlebook: Class, Leisure and National Identity in British Children‘s Literature, 1918-1950;  Hazel Sheeky Bird Book 2014 Palgrave Macmillan, a divisi
描述This book places children‘s literature at the forefront of early twentieth-century debates about national identity and class relations that were expressed through the pursuit of leisure. Focusing on stories about hiking, camping and sailing, this book offers a fresh insight into a popular period of modern British cultural and political history.
出版日期Book 2014
關(guān)鍵詞British children‘s literature; Leisure and children‘s literature; Politics and children‘s literature; c
版次1
doihttps://doi.org/10.1057/9781137407436
isbn_softcover978-1-349-48816-2
isbn_ebook978-1-137-40743-6Series ISSN 2753-0825 Series E-ISSN 2753-0833
issn_series 2753-0825
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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Zufallsexperimente und Ereignissee as a ‘fuzzy set’ particularly useful, because it is an accommodating (and forgiving) way of approaching the subject. Rather than being focused on rigid boundaries, a generic fuzzy set is based around a core or centre; the further a book moves away from that centre, the fewer generic features it wi
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https://doi.org/10.1007/978-3-662-09755-7 David Matless describes as ‘outlook geography’ (leading to belonging and citizenship) and Mary Louise Pratt describes as the ‘monarch-of-all-I-survey’ scene (resulting in a ‘fantasy of dominance’).. Here the terms ‘regional geographic imagination’ and ‘imperial geographic imagination’ are used to d
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https://doi.org/10.1007/b138032England’.. Family sailing stories belie this view and demonstrate the ways in which children’s writers not only sought to project British maritime culture as alive and legitimate but also tried to pass it on to the next generation. Not only did Arthur Ransome, Aubrey de Sélincourt, and Gilbert Hackf
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Repetitorium Theoretische Physikking back on her own childhood reading, Michelle Landsberg recalls being drawn to the solid dependability of John Walker and his sense of obligation to a moral code that is ‘part naval and part familial’.. Similarly Victor Watson has argued that the structure of loyalty and morality in Ransome’s Wal
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https://doi.org/10.1007/b138032 mother. It is often a poignant moment for readers because as the last book it locks the Walkers, Blacketts and Callums into what Victor Watson describes as the ‘mythology of childhood’.. They will never change, never grow old, never suffer, and in this sense Watson’s observation that ‘Eden’ lies wi
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Book 2014This book places children‘s literature at the forefront of early twentieth-century debates about national identity and class relations that were expressed through the pursuit of leisure. Focusing on stories about hiking, camping and sailing, this book offers a fresh insight into a popular period of modern British cultural and political history.
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