Titlebook: Class, Culture and Tragedy in the Plays of Jez Butterworth; Sean McEvoy Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Jez

天氣

Yakkety Yak: , (1995),workers is expressed in the panache of their shared language standing in opposition to the embrace of rock and roll by the damaged, narcissistic Baby. Further, if . also addresses the late-twentieth-century crisis of masculinity it does so in the context of a historical clash between the indigenous

guzzle

FOVEA

Homage: , (2006),l representation to imitate the entertaining but unsettling nastiness of Pinterian social competitiveness. However, he moves beyond the paratactic structure of Pinter’s writing to take an unequivocal moral position. The evocation of the supernatural, in the presence of the fort, takes the place of t

infelicitous

古文字學(xué)

擁護(hù)者

Time, Myth and Power: , (2012),ent of catching a trout. In doing so he swears faithful love to two different women, and even a third. The Woman and The Other Woman, however, show that mythology is a social narrative that comes inscribed with power relations and cannot simply be defined by individual fiat. Against The Man’s presen

流浪者

流動(dòng)才波動(dòng)

節(jié)省

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Aggrandize

https://doi.org/10.1007/978-3-030-62711-9Jez Butterworth; Tragedy; Contemporary Drama; Myth and drama; Class and contemporary theatre; Allusion an