Titlebook: Cities, Words and Images; From Poe to Scorsese Patrizia Lombardo Book 2003 Patrizia Lombardo 2003 David Lynch.film.Lost Highway

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hangdog

Van Gogh and Hofmannsthal: Colours and Silence,rucial questions in modern art: the interplay between the past and the present, the discrepancy between reality and language, and the attempt to express this very discrepancy through the link between literature and painting.

吹牛大王

Baudelaire, Haussmann, Fustel de Coulanges: The Modern Metropolis and the Ancient City,man who wanders day and night in London. The narrator tries to follow him, day after day, night after night: impossible to see him resting anywhere.. ‘The big city’s genius’ is continuously rushing, running, retracing his steps ‘with a mad energy’. To the narrator’s surprise, there is no rationale i

凝結劑

Aldo Rossi: The White Walls of the City,hen happiness reaches its height that we would like to withdraw, regain our freedom, since ‘every moment that we become aware of things is coloured by the longing to be able to give them up’. . is the title that Aldo Rossi would have liked to give to his . (1981), a work published in English, in the

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歸功于

Absence and Revelation: Photography as the Art of Nostalgia,ature; it is also cultural since it explores the impact of such media on the ways in which we live, think and act. In making such an assertion one has to mention Raymond Williams, one of the most important critics of our time, who from the 1950s to his death in 1988 worked to redefine the meaning of

歸功于

樸素

Martin Scorsese and the Rhythm of the Metropolis,ra in documentaries and in fictions, continuing the tradition of the literary works that represent people, events and feelings in a metropolitan environment. For a whole century urban landscapes have been coming and going on screens in no particular order and with no recognizable development or them

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NOVA

978-1-349-40206-9Patrizia Lombardo 2003