Titlebook: Cinema, Technologies of Visibility, and the Reanimation of Desire; Vincent J. Hausmann Book 2011 Palgrave Macmillan, a division of Nature

Tracheotomy

Lethargic

做作

Meenakshi Rajeev,Azharuddin Akhtaromi Watts) and Noah (Martin Henderson), to their son, Adan (David Dorfman), and brings the couple’s stance close to Lester’s problematic refusal, until late in his life, to acknowledge Symbolic castration and accept the exigencies of being (dis)placed in language.

Evacuate

,Burning Transmission: Stilling Psychic Space in Gore Verbinski’s ,omi Watts) and Noah (Martin Henderson), to their son, Adan (David Dorfman), and brings the couple’s stance close to Lester’s problematic refusal, until late in his life, to acknowledge Symbolic castration and accept the exigencies of being (dis)placed in language.

愛社交

Introduction: ,, directing film spectators to review with him images of the psychically numb life he led while he was alive. But if Lester is livelier in death than in life, it is because in the moment before his murder he recognizes how to avoid remaining the double of a figure he jokes about—the undead star of t

高度表

,Envisioning the (W)hole World “Behind Things” in Sam Mendes’s ,sees his work as the tale of a man, Lester Burnham (Kevin Spacey), who becomes “a father again” by forgoing the chance to act on his fantasy—to sleep with his daughter’s teenage friend, Angela (Mena Suvari).. The film understands this endorsement of the injunction against incest broadly and in terms

glowing

Interferons

,“Turning into Another Thing” in David Lynch’s ,be thought apart from conceptions of art/technology. Yet Lynch’s critique of denials of Symbolic mediation as they emerge in specious disciplinary genealogies remains distinctively thoroughgoing. Although, like . and . challenges dismissals of visual arts/technologies as inherently deadening, Lynch’

模范

,Inscribing the Dream of Otherness in Wim Wenders’s ,tin) end-of-the-millennium trek across the globe can remind us how presciently Wenders traced the contours of the mounting threat to psychic life posed (in part) by mass media’s efforts to proffer the image as a way to automatically “take on … [ultimately generative] anxieties and desires … and to s

受辱