Titlebook: Cinema Anime; Critical Engagements Steven T. Brown Book 2006 Steven T. Brown 2006 culture.gender.identity.politics.Visual Culture

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Allergic

“Excuse Me,Who Are You?”: Performance, the Gaze, and the Female in the Works of Kon Satoshit a pop idol whose decision to leave her career and become an actress leads to extremely violent consequences. Some critics paid it perhaps the ultimate backhanded compliment, suggesting that the film’s contemporary urban setting, sophisticated narrative, and highly realistic visuals made it seem mo

性冷淡

激怒某人

要素

Frankenstein and the Cyborg Metropolis: The Evolution of Body and City in Science Fiction Narrativesimagined their relationship to technology and the physical environment. In particular, I focus on the way that the city is imagined and depicted vis-à-vis its opposite—the wilderness, the unsophisticated provinces, or the suburbs, depending on the time period—and how changing visions of the city par

薄荷醇

薄荷醇

The Robots from Takkun’s Head: Cyborg Adolescence in r tools, the tools in turn have shaped our perceptions of the world. In her groundbreaking “Cyborg Manifesto,” Donna Haraway states that “we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs.”. Philosopher Chris J. Cuomo concludes from Haraway’s ide

搖曳

The First Time as Farce: Digital Animation and the Repetition of Cinemathe emergence of cinema, to evoke a time when cinema was new media. This is particularly true of discussions of new media concerned with digital cinema, digital animation and video games. Sometimes commentators simply stress the incredible novelty of these new media, and offer more or less detailed

提名

“Such is the Contrivance of the Cinematograph”: Dur(anim)ation, Modernity, and Edo Culture in Tabaim so artists featured at the 2001 Yokohama Triennale, Japan’s most prestigious, international show of contemporary art. She has had several solo exhibitions in Japan, and has been featured in solo and group exhibitions at well-known museums and galleries in France, Mexico, Finland, USA, Canada, Germa

猛然一拉

Susan Kinnear,Kate Charters,Peter Vitartasdigital cinema. The contributors to . dismantle the distinction between “high” and “l(fā)ow” culture and offer compelling arguments for the value and importance of critical scholarship on popular cultural flows in the transnational spaces of translation from the local to the global.