Titlebook: Church and Patronage in 20th Century Britain; Walter Hussey and th Peter Webster Book 2017 The Editor(s) (if applicable) and The Author(s)

ARSON

書目名稱Church and Patronage in 20th Century Britain影響因子(影響力)




書目名稱Church and Patronage in 20th Century Britain影響因子(影響力)學科排名




書目名稱Church and Patronage in 20th Century Britain網(wǎng)絡公開度




書目名稱Church and Patronage in 20th Century Britain網(wǎng)絡公開度學科排名




書目名稱Church and Patronage in 20th Century Britain被引頻次




書目名稱Church and Patronage in 20th Century Britain被引頻次學科排名




書目名稱Church and Patronage in 20th Century Britain年度引用




書目名稱Church and Patronage in 20th Century Britain年度引用學科排名




書目名稱Church and Patronage in 20th Century Britain讀者反饋




書目名稱Church and Patronage in 20th Century Britain讀者反饋學科排名

橢圓

The Formation of a Patron, curacy in London. It also examines his early aesthetic development: as a viewer, listener, amateur musician and artist, and lays out the context for that development: of Anglican theologies of the arts of the 1920s, and the available examples of ecclesiastical patronage that others set. It argues t

exorbitant

Affectation

女上癮

The Religious Arts on a Rising Tide: People, Media, Networks,the nature of culture was mostly unaltered by the War, Hussey’s project was now also framed by the need for reconstruction, both physical and (as some saw it) cultural and spiritual. The chapter describes a moment at which a new settlement between the church and the arts seemed possible, supported b

patriarch

patriarch

吸引力

Cathedral, City and Diocese,ironments, and as destinations for tourists. The whole of Hussey’s career was a response to these challenges by one particular means; this chapter examines the rest of his record as dean, and argues that his overwhelming focus on the arts was pursued to the detriment of other areas of the cathedral’

patriarch

Mri485