Titlebook: Chroma; Design, Architecture Barbara Glasner,Petra Schmidt Book 2010Latest edition Birkh?user Basel 2010 Designer.Farbe.architects.architec

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Rupprecht Geiger ‘High on red’ of ‘force fields’ ‘meditation objects,’ and the ‘cosmic energy’ that they emit. Still others focus on the sensation they create: that of sinking into an infinite, undefined space. Geiger’s color-based paint- ings are evidently not easy to grasp concep- tually. Art critic Thomas Wagner used an apt a

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Gerhard Richter Ways of Seeingg to a succession of stylistic incongruities or admired as fascinat- ingly radical. The possibility of this work being informed by a consistent outlook was something that did not even occur to most observers. For how could someone produce blurred paintings based on amateur photo- graphs and find urb

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Anselm Reyle ‘What I look for first is dissonance’cheap glossy foil, and neon colors. He thereby tests the boundaries of what is considered aesthetically acceptable, not only to provoke but also to illuminate our cultural taboos and the allure they have.

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Reconsidering Historical Epistemology to stuffed toys, ropes, and scraps of leather. The colors of their designs are just as varied and bold, even if the brothers themselves prefer natural colors, as Fernando Campana says in the interview.

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