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Titlebook: Christina Reid‘s Theatre of Memory and Identity; Within and Beyond th Rachel Tracie Book 2018 The Editor(s) (if applicable) and The Author(

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樓主: 麻煩
11#
發(fā)表于 2025-3-23 10:33:57 | 只看該作者
Tea and Memories,ome the focus to analyze how families teach their children bigotry and intransigence through everyday interactions. The analysis of the play is followed by a discussion of the performances of the play at the Lyric Theatre, Belfast; Riverside Studios, London; and on tour.
12#
發(fā)表于 2025-3-23 15:49:09 | 只看該作者
: Memory and Intransigence,ly member with hate for the values they hold dear. The production analysis follows the first iteration of the play as a radio play, to its production in Dublin as part of the Dublin Theatre Festival and then on to its production at the Young Vic Theatre.
13#
發(fā)表于 2025-3-23 21:04:16 | 只看該作者
Book 2018writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and dept
14#
發(fā)表于 2025-3-23 23:42:27 | 只看該作者
https://doi.org/10.1007/978-3-319-97876-5Ireland; The Troubles; Biography; Playwright; Literary Analysis; Performance Analysis; Sectarianism; Trauma
15#
發(fā)表于 2025-3-24 02:48:59 | 只看該作者
978-3-030-07421-0The Editor(s) (if applicable) and The Author(s) 2018
16#
發(fā)表于 2025-3-24 09:30:25 | 只看該作者
17#
發(fā)表于 2025-3-24 14:08:35 | 只看該作者
18#
發(fā)表于 2025-3-24 15:09:01 | 只看該作者
Diversity-in-Action: From Data to Doinga respectable Protestant identity. In this chapter, the importance of the Orange Order, the silences of the women, and the questioning of children become the focus to analyze how families teach their children bigotry and intransigence through everyday interactions. The analysis of the play is follow
19#
發(fā)表于 2025-3-24 19:40:32 | 只看該作者
20#
發(fā)表于 2025-3-25 02:01:34 | 只看該作者
Diversity-in-Action: From Data to Doingay centers on recollections of the Battle of the Somme. Key to this discussion is Reid’s presentation of the difficulty of reconciling love for a family member with hate for the values they hold dear. The production analysis follows the first iteration of the play as a radio play, to its production
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