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Titlebook: Christa Sommerer & Laurent Mignonneau; Interactive Art Rese Gerfried Stocker (Artistic and Managing Director), Book 2009Latest edition Spri

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發(fā)表于 2025-3-21 16:20:51 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Christa Sommerer & Laurent Mignonneau
副標(biāo)題Interactive Art Rese
編輯Gerfried Stocker (Artistic and Managing Director),
視頻videohttp://file.papertrans.cn/227/226212/226212.mp4
概述A detailed compendium of the work of these distinguished artists.With contributions from Roy Ascott, Anne Marie Duguet, Oliver Grau, Erkki Huhtamo, Machiko Kusahara, Hannes Leopoldseder, Christine Sch
圖書(shū)封面Titlebook: Christa Sommerer & Laurent Mignonneau; Interactive Art Rese Gerfried Stocker (Artistic and Managing Director), Book 2009Latest edition Spri
描述dark room. It contains plants, and there’s a large- A year later, the pair’s next major project, A-Volve, A format projection in the background. A group of was honored with the Golden Nica grand prize in the astonished individuals are touching the plants – some Prix Ars Electronica’s Interactive Art category. A-Volve cautiously, some shaking them quite vigorously. All are would go on to also make quite a name for itself wor- absolutely thrilled by the apparent magic that lets them wide. conjure up a multi-hued digital world of plants right on And here again, what elicited such enthusiastic the room’s wall. responses from those partaking of it was the blending This extraordinary 1993 exhibition abruptly cata- of biological and digital metaphors and the consistent pulted Christa Sommerer & Laurent Mignonneau to linkup of art and science. This was indeed a work that fame in the international media art scene. And their displayed artistic, technical and scienti?c excellence in breakthrough installation Interactive Plant Growing equal measure and that impressively demonstrated the remains a major milestone in the history of the then- aesthetic and technological competence of its creators
出版日期Book 2009Latest edition
關(guān)鍵詞Christa Sommerer; Computerarchitektur; Computerkunst; Laurent Mignonneau; Medienkunst; Monografie; V209; in
版次1
doihttps://doi.org/10.1007/978-3-211-99016-2
copyrightSpringer-Verlag Vienna 2009
The information of publication is updating

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https://doi.org/10.1007/978-3-211-09455-6in published his book .. in 1859, most people believed life on Earth had originated by a divine act of creation. Little was known at that time about the principles of heredity, fertilization or the development of the mature animal from an embryo. The concept of evolution revolutionized nineteenth ce
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Rechtsgrundlagen der Rohstoffpolitikstem where the public is engaged with the latest technology. In their artwork . (2004) the visitor wears a ring on his or her finger and can feel the invisible presence of nano particles. The magnetic forces enable the “player” to “touch” the infinitely small. The sculpture transforms, remaining inv
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Rechtsgrundlagen der Rohstoffpolitikmblematically to the work of these artists. They are “artistes sans frontiers,” working in labs in the Far East and Central Europe, in galleries and museums in the Northern Hemisphere and in the south, lecturing scientists and technologists, as much as artists and theorists.
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Art as Research Research as Art,some of the best examples of organizational systems. A tree does not allow itself to lose water and swiftly reacts to any danger of drought by targeting a balanced water household. Excessive transpiration only takes place at the crown of the tree when the water supply is plentiful..
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