Titlebook: Choreography as Embodied Critical Inquiry; Embodied Cognition a Shay Welch Book 2022 The Editor(s) (if applicable) and The Author(s), under

abduction

Kai Arzheimer,Harald Schoen,Jürgen W. Falterthe purpose of the book, which is to, first, present the theoretical underpinnings of what this process is and how it can work; and second, to introduce the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. I explore the role of embodied cognition and e

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https://doi.org/10.1007/978-3-322-99575-9demonstrate how the phenomenology of dance counts as a naturalized phenomenology. In “.” section, I provide a thorough summation of Di Paolo et al.’s theory of linguistic bodies, since it is best suited to helping understand how bodied can communicate. A rendering of bodies as fully communicative is

commonsense

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Shay WelchThe first account of how to use choreography as a means of engaging in critical inquiry.Develops a method for using choreography as a critical inquiry process.Demonstrates how to utilize movement to e

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https://doi.org/10.1007/978-3-030-93495-8Dance; Choreography; embodied metaphors; critical inquiry; enactivism; embodiment; somatics; Phenomenology;