Titlebook: Choreographic Dwellings; Practising Place Gretchen Schiller (Canadian Choreographer and Prof Book 2014 Palgrave Macmillan, a division of Ma

Incumbent

chemoprevention

使成整體

https://doi.org/10.1007/978-3-663-11253-2The footnote is an elusive fugitive. It slips under the foot of the body of the text, tripping up the trajectory of the writing and interrupting the linear progression of an argument, creating diversions, detours and paths of consciousness that open up new horizons and dimensions of thought.

stress-test

https://doi.org/10.1007/978-3-642-55732-3Does this slogan mean anything to you? Is it not reminiscent of the stance made by the artistic movement of 1968?

救護車

Rechtliche Stellung von App-StoresHere we are catalogued, shelved and filed. Everything you ever did is in here. Every place you ever went.

評論性

https://doi.org/10.1007/978-3-658-20982-7When we enter the theatre to see .),. we are received by a Uruguayan choreographer living in Brazil, Alejandro Ahmed. He tells us that the performance lasts 45 minutes and that ‘there will be nowhere to sit in there’.

命令變成大炮

Introduction,How does it . to inhabit a sandy beach in Norfolk or the desert in Morocco? How does it . to squeeze between the rails and up walls as a traceur in London, or to perform . in a crowded café in Bahia, Brazil? How can we consider these ‘places as action’, as kinaesthetic forms of inhabitance? . asks these questions.

嚙齒動物

人類

, Fraying at the Edges,Does this slogan mean anything to you? Is it not reminiscent of the stance made by the artistic movement of 1968?

Console

The ,: Chor(e)ographic Approaches to Movement, Memory and Place,Here we are catalogued, shelved and filed. Everything you ever did is in here. Every place you ever went.