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Titlebook: Chinua Achebe and the Politics of Narration; Envisioning Language Thomas Jay Lynn Book 2017 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 16:20:55 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Chinua Achebe and the Politics of Narration
副標(biāo)題Envisioning Language
編輯Thomas Jay Lynn
視頻videohttp://file.papertrans.cn/226/225935/225935.mp4
概述Analyses all five of Achebe‘s novels.Examines Achebe not only from a literary perspective, but also in linguistic and political terms.Draws on the commentaries of scholars and writers such as Bhabha,
叢書(shū)名稱(chēng)African Histories and Modernities
圖書(shū)封面Titlebook: Chinua Achebe and the Politics of Narration; Envisioning Language Thomas Jay Lynn Book 2017 The Editor(s) (if applicable) and The Author(s)
描述This book examines vital intersections of narration, linguistic innovation, and political insight that distinguish Chinua Achebe’s fiction as well as his non-fiction commentaries. Each chapter focuses on a different aspect of these intersections: Achebe’s narrative response to Western authors who have written on Africa, his integration of Igbo folklore, the political implications of writing African literature in English, his use of Nigerian Pidgin, and the Nigerian Civil War. It also addresses the teaching of Achebe’s works. Achebe drew on diverse resources to offer searching psychological and political insights that contribute not only a decidedly African political viewpoint to the modern novel, but also a more inclusive narrative consciousness. Achebe’s adaptations of Igbo oral art are intrinsic to his writing’s political engagement because they assert the integrity and authority of the African voice in a global order defined by colonialism. This book reveals how his work has helpedto restructure a global vision of Africa.
出版日期Book 2017
關(guān)鍵詞Igbo; Colonialism; Violence; Discourse; Linguistics
版次1
doihttps://doi.org/10.1007/978-3-319-51331-7
isbn_softcover978-3-319-84622-4
isbn_ebook978-3-319-51331-7Series ISSN 2634-5773 Series E-ISSN 2634-5781
issn_series 2634-5773
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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,Of Flight, Fraud, and Freedom: Achebe’s Political Tricksters,ulture’s values without severing those values from European influences. Modern fictional tricksters, including Achebe’s, play a role in recovering dimensions of culture that were nearly extinguished by colonization or reshaped by colonial priorities. In shedding light, moreover, on dilemmas posed by
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,Language and Ambivalence in Achebe’s Writing, present chapter, while mindful of these arguments, does not seek to adjudicate between them. Rather, it delineates how this debate was, in effect, conducted by Achebe himself in ., which appeared in 1960, the year of Nigerian independence. One might fault the book’s irresolution on the language iss
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Conclusion: The Ends of Narration,piration. What is clear, though, is that he recognized that a powerful resource was available to him in the implementation of a new kind of novel about West Africa. By melding African oral tradition with the novelistic form that he learned mainly through Western authors, Achebe tapped into a powerfu
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Conclusion: The Ends of Narration,piration. What is clear, though, is that he recognized that a powerful resource was available to him in the implementation of a new kind of novel about West Africa. By melding African oral tradition with the novelistic form that he learned mainly through Western authors, Achebe tapped into a powerful residual storytelling bond.
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