Titlebook: Chinese Science Fiction; Concepts, Forms, and Mingwei Song,Nathaniel Isaacson,Hua Li Book 2024 The Editor(s) (if applicable) and The Author

風(fēng)俗習(xí)慣

書目名稱Chinese Science Fiction影響因子(影響力)




書目名稱Chinese Science Fiction影響因子(影響力)學(xué)科排名




書目名稱Chinese Science Fiction網(wǎng)絡(luò)公開度




書目名稱Chinese Science Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Chinese Science Fiction被引頻次




書目名稱Chinese Science Fiction被引頻次學(xué)科排名




書目名稱Chinese Science Fiction年度引用




書目名稱Chinese Science Fiction年度引用學(xué)科排名




書目名稱Chinese Science Fiction讀者反饋




書目名稱Chinese Science Fiction讀者反饋學(xué)科排名

丑惡

是剝皮

aviator

儀式

領(lǐng)袖氣質(zhì)

領(lǐng)袖氣質(zhì)

Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Dence in society transforms, what happens to those utopian environmental dreams? This chapter sets out to answer this question by comparing the portrayals of ecology in two science-oriented Chinese films: Li Wenhua’s socialist realist film . (., 1976) and Zhang Hongmei’s . (., 1980), China’s first scie

malapropism

Information, the Body, and Humanism in the Chinese Cyber Novel tion, the human body, and humanism. I argue that . is a paradoxical posthumanist parable. One the one hand, the novel demonstrates the indispensable impact of advances in science and technology upon humankind’s seemingly unlimited potential to evolve. On the other hand, the novel insists upon an ont

Spina-Bifida

Open Up Your Brain Hole: Spatial Imaginaries in Chinese Online Science Fiction symbolic implications of possible and impossible space. This includes multiple dimensions or parallel worlds, paraspace and microworlds, and sudden shifts from one world to another. To understand the logic behind these spatial configurations, we must consider the materiality of online fiction and t

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