Titlebook: Chinese Narratologies; Xiuyan Fu Book 2021 Peking University Press 2021 Chinese Narrative Tradition.Meta-narrative.Ecological Narrative.Ac

CHOIR

Ur-Narrative and the Sun Myth,tive in later ages. By criticizing Northrop Frye’s otherwise impressive work on sun myth, we can pin down the functions of Ur-narrative in the history of narrative development. The reasons why ancient people kept telling sun stories is that these stories could increase their sense of mastery of the

親愛(ài)

,The “Proto-Ecological Narrative” in ,hat everything had its specific appearance, and what is more, they also cherished the idea that resources were limited. On the whole, . merely describes the geographical environment, but when it comes to the account of the phoenix paradise, it seems as if the narrator explicitly expresses his apprec

命令變成大炮

翻動(dòng)

Narrative and Cultural Analysis of Porcelain,n and harmony. .: These two materials are connected through a relation of imitation or even replacement between porcelain and jade. The history of porcelain making can be described as a process of imitating and transcending jade. However, “imitating jade” is not the final goal of porcelain. What por

AORTA

The Magic of Contract: A New Analysis of the Four Classic Chinese Novels,g and small contracts. The big contracts in the books are all oriented toward orthodoxy (e.g., positive results, authenticity, etc.) while the small contracts are concerned with unorthodoxy (e.g., heterodoxy, heresy, etc.); the big contracts create a “hero” at the expense of sacrificing freedom (thr

言外之意

The Charm of Intertextuality: A New Insight into Four Folktales,hen society; 5. The narrative time of each folktale represents spring, summer, autumn, and winter. That the four folktales can stand out from the hundreds and thousands of other similar tales which is the result of natural selection. The four folktales are still read today also because of their educ

gentle

integral

兇殘

Vertebra

,“Focalization” and Its Chinese Translation,ls after the eighteenth century, tends to “focalize” on a single protagonist, around whose action the narrative unfolds. By contrast, in Chinese narrative, “focalization” is not that important, and the focus keeps shifting from one character to another. “Focalization” does not suit Chinese narrative