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Titlebook: Chinese Ibsenism; Reinventions of Wome Kwok-kan Tam Book 2019 Springer Nature Singapore Pte Ltd. 2019 Chinese Ibsenism.A Doll’s House.Chine

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樓主: Gullet
31#
發(fā)表于 2025-3-27 00:51:04 | 只看該作者
Introduction to Pediatric Psychology it could evoke among the audience. Instead of banning drama, Chinese Marxists used it as a weapon against opposing ideologies for many decades, considering it a powerful tool to disseminate their ideals and to educate the people.
32#
發(fā)表于 2025-3-27 03:32:17 | 只看該作者
33#
發(fā)表于 2025-3-27 06:57:16 | 只看該作者
34#
發(fā)表于 2025-3-27 10:13:13 | 只看該作者
Chapter Eight Postsocialist Ibsenism Beyond Class Ideology,ogy. It is ideology that has become art, and art that has become ideology. In the Chinese context, re-imagination of the self has an ideological power in reshaping social relations. Ibsenism is the art of public sphere.
35#
發(fā)表于 2025-3-27 15:27:13 | 只看該作者
Chapter Nine Reinventions of Women and Nation in Ibsen Performances,olves the director’s interpretation of the original and the innovation he or she wishes to make so that the audience will find it fresh and rewarding to watch a play that has been staged numerous times.
36#
發(fā)表于 2025-3-27 20:16:09 | 只看該作者
Chapter Ten Ibsenism and Ideology in Chinese Playwriting, it could evoke among the audience. Instead of banning drama, Chinese Marxists used it as a weapon against opposing ideologies for many decades, considering it a powerful tool to disseminate their ideals and to educate the people.
37#
發(fā)表于 2025-3-27 22:56:50 | 只看該作者
Conclusion Chinese Ibsenism in the Politics of Global Literary Reception,er innovations, he is revered as the father of modern drama. In the theatre, Ibsen is still a most performed playwright of the twenty-first century and an all-time favourite for experimentation with new styles of performance and new interpretations of gender, femininity, self construction and deception.
38#
發(fā)表于 2025-3-28 02:28:00 | 只看該作者
39#
發(fā)表于 2025-3-28 09:33:09 | 只看該作者
Readings in Pediatric Psychology played a significant role in the initial Chinese response to Ibsen’s plays. Most early Chinese Ibsen critics and dramatists considered Ibsen a social reformer. Even when they treated Ibsen as an artist, as they sometimes did, they emphasized his plays that have moral and social dimensions in their themes.
40#
發(fā)表于 2025-3-28 11:08:45 | 只看該作者
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