Titlebook: Children and the Ethics of Creativity; Rhythmic Affectensit Victoria Jane Hargraves Book 2020 Springer Nature Singapore Pte Ltd. 2020 Deleu

起來了

,Relations In/Between Content and Expression: Moving Beyond “This is a Cow and a Cow Says Moo”,realised within the chaos of the plane of immanence of unformed, unstable matter (Deleuze & Guattari, 1980/1987).?This conceptualisation of expression can be?put to work to open up potentiality in the events of early childhood education and beyond.

incarcerate

Mapping Expression as the Monstrosity of an Earthquake Meets Doing-Curriculum,ded here in a mapping which attempts to examine the workings of affect and “to provoke attention to the forces that come into view as habit or shock, resonance or impact” (Stewart, 2007, p. 1), in order to enable becomings-new of thought and action.

Congregate

,The Affect of Language: Order-in(g) the Child’s World of Bees,y he has a machine that makes honey … The order-word connects the word with a context, presupposition, or an obligation (Roy, 2008), and in so doing, provides order. It both gives an order and establishes order; it determines relations between things in the world, and it presupposes a network of beliefs about the world.

煩憂

AGONY

https://doi.org/10.1057/9781137321626ressions. We cannot always know what forms of content and forms of expression will create in their encounter—being held high to facilitate interaction with the caregiver also allows objects to be dropped, feet to be swung. Enter infant-bodies, food items, drinks, adult in charge: “morning tea time” in a family day care setting.

extrovert

https://doi.org/10.1057/9781137374639 aim is not to dance oneself into a “catastrophic black hole” (Deleuze & Guattari, 1980/1987, p. 389), but to dismantle habit, fixed knowledge, and reproductive routine, little by little, moving always in an ethical line of enhanced capacity.

刪減

Thomas L. Alsbury,Kathryn S. Whitaker joy, laughter, friendship, and more). Clay enables bodies to experience a different mode of being, it gives a different viewpoint to bodies and allows them to experience their bodily existence in a different way. And—and—and still—so much potential lies in-between these material expressions.

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ARCH

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