Titlebook: Chaucer and Boccaccio; Antiquity and Modern Robert R. Edwards Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002

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周興旺

優(yōu)雅

Your First ASP.NET MVC Applicationic culture. The alternative raised in the historiographical tradition behind Chaucer’s poems of antiquity — namely, that catastrophe is not external but at least partly generated from within — is thus obscured or aestheticized. The discourse of antique epic and tragedy drives from consciousness the

cyanosis

兒童

兒童

Introduction,ntertextuality. As modern readers, we can turn to Chaucer’s sources and, where needed, to the analogues and genres that provided his fictions of antiquity and modernity, and we can read them with attention to both poetic revision and the larger cultural work that revision performs.. What emerges fro

Eosinophils

,‘The strif of Thebes’: Statius, Boccaccio, and Chaucer,ts Statius’s . and Boccaccio’s . as sources for his story. Chaucer uses Statius, I shall argue, as a hermeneutic emblem, a device to signal classical authority and thereby condition interpretation. His major poetic effort, however, is to rewrite the topics, story, and themes of Boccaccio’s vernacula

inclusive

The Twin Necessity of , sense that Chaucer wrote a rhetorical, didactic story of courtly love but also later views that he did quite the opposite, that his classical sources had already done the same, and that Chaucer’s contemporaries would have condemned or countenanced his love theme..

Magnitude