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Titlebook: Charting Scottish Tourism and the Early Scenic Film; Access, Identity and Samantha Wilson Book 2020 The Editor(s) (if applicable) and The A

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發(fā)表于 2025-3-21 19:48:41 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Charting Scottish Tourism and the Early Scenic Film
副標(biāo)題Access, Identity and
編輯Samantha Wilson
視頻videohttp://file.papertrans.cn/225/224134/224134.mp4
概述Explores the relationship between cinemagoing, scenic filmmaking and the Scottish travel and tourism industry.Addresses key issues of class, access, and identity across different areas of Scotland.Pro
圖書(shū)封面Titlebook: Charting Scottish Tourism and the Early Scenic Film; Access, Identity and Samantha Wilson Book 2020 The Editor(s) (if applicable) and The A
描述.What impact did walking tours and scenic films have on leisure activities? In what ways did working class travel disrupt normative narratives concerning nature and identity? The appreciation of nature and leisure travel have a complex and interrelated history in Scotland. In .Charting Scottish Tourism., Wilson looks at how scenic filmmaking altered the construction of the tourist map and spatial identities at the turn of the 20th Century. Scenic film, the author argues, played a key role in the expansion of regional travel and national tourism during the period. In addition, scenic film provides the modern researcher with an unrivalled source of documentary evidence relating to the manner in which Scottish working and middle class communities explored and reclaimed the natural spaces around them. The author examines the central role of the Scottish scenic within leisure performances and the way in which these films promoted and challenged normative spatial narratives. These discursive shifts, she argues, had a wide-reaching impact on popular assumptions concerning space, nature and identity both home and away. .Charting Scottish Tourism. provides a fascinating case study and numer
出版日期Book 2020
關(guān)鍵詞Scenic Filmmaking; Social Class; Spatial Identities; Nature Appreciation; Travel; Tourism; Scotland
版次1
doihttps://doi.org/10.1007/978-3-030-39153-9
isbn_softcover978-3-030-39155-3
isbn_ebook978-3-030-39153-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Classical Elasticity and Plasticity,. One of most prolific companies in this regard was the Charles Urban Trading Company which produced scenic and travel films across the globe for the British screen. Scotland became a key centrepiece for many of the company’s collections, providing a liminal space which existed on the periphery of the nation.
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https://doi.org/10.1007/978-1-84628-240-9icular area and period when leisure travel by the urban working class was most popular, the annual Glasgow Fair fortnight. The chapter considers how the integration of scenic films into the festivities challenged and championed traditional excursion patterns maintained by the travel industry and local working class tourists.
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Home and Away: The Rise of the Walking Tour and Guidebook,l practice. It argues that when placed within this larger historical context walking took on its own ideological role, addressing increasing anxiety towards industrialization and the loss of traditional forms of labour and relationships with rural landscapes.
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