Titlebook: Charlie Chaplin’s Little Tramp in America, 1947–77; Lisa Stein Haven Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Charli

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Seeing Charlie: Legal and Illegal Chaplin Screenings,aries. Along with the aforementioned Bohemian and Beat artists, these groups of people played their parts in keeping Chaplin alive in America, for it was through his films and filmmaking that his reputation here slowly began to be restored. By the early 1960s, the talk in American filmgoing circles

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Narrativizing Charlie in Print and Film, documentary films. This chapter surveys the Chaplin books for the period, from Parker Tyler’s quirky . (1947) and Theodore Huff’s very popular . (1951) to Chaplin’s own . (1964), coupling descriptions of these books with their reviews and the way they were received by both Chaplin enthusiasts and t

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Selling Charlie,d wonders in terms of keeping Chaplin’s name and work alive in America. As a subsidiary to this discussion, then, is an investigation of the vehicle through which these parties communicated—the film fan magazine. Later in the chapter, the investigation of Chaplin merchandising, in the form of clothi

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