Titlebook: Charles Dickens; A Literary Life Grahame Smith Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 Charles Dicken

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書(shū)目名稱(chēng)Charles Dickens影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Charles Dickens網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Charles Dickens網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




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Book 1996orm of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serialization.

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Cellular Responses to Tissue Distortionhem is more complicated than common sense would suggest. ‘Dickens’, a convenient and perhaps unavoidable label, masks a range of Dickenses which, taken together, constitute a highly complex whole. This very richness suggests the difficulty of holding the complete range of what can be meant by Dicken

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https://doi.org/10.1007/3-540-28804-Xuently as the ‘purest’ of art forms, the one most free from the inhibitions of content. But the history of music is at least partly the history of technological development and the possibilities this reveals for composers and performers. Until Mr Sax invented his instrument in 1840, the peculiar sou

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Cylinders Under Internal Pressure, figures in English literature have had occupations and interests outside of literature, either from necessity or choice. T. S. Eliot’s work as a banker and, later, his long involvement with the publishing house of Faber & Faber are well known, and biographies of Anthony Trollope chronicle in exhaus

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