Titlebook: Censorship in Fascist Italy, 1922-43; Policies, Procedures George Talbot Book 2007 Palgrave Macmillan, a division of Macmillan Publishers L

intern

書目名稱Censorship in Fascist Italy, 1922-43影響因子(影響力)




書目名稱Censorship in Fascist Italy, 1922-43影響因子(影響力)學(xué)科排名




書目名稱Censorship in Fascist Italy, 1922-43網(wǎng)絡(luò)公開度




書目名稱Censorship in Fascist Italy, 1922-43網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Censorship in Fascist Italy, 1922-43被引頻次




書目名稱Censorship in Fascist Italy, 1922-43被引頻次學(xué)科排名




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書目名稱Censorship in Fascist Italy, 1922-43讀者反饋




書目名稱Censorship in Fascist Italy, 1922-43讀者反饋學(xué)科排名

POLYP

反抗者

字形刻痕

Andrey G. Kostianoy,Olga Yu. Lavrova the First Hour, less than a month after their meeting at Piazza San Sepolcro on 19 March 1919, had committed their first symbolic act, and that was a direct-action approach to censorship: the effective destruction of the newspaper offices of ., the Socialist newspaper which Mussolini himself had ed

Felicitous

Samuel Djavidnia,Jorge Del Rio Verarehensive but uneven reform of the Italian school system which would continue up to the collapse of the regime itself and one which Mussolini would describe as `the most Fascist of all his policies’. Educational reform is also the initiative in which we find the first uses of censorship as a tool of

解脫

解脫

下垂

亞麻制品

https://doi.org/10.1007/978-3-642-38721-0ion for public performances on stage or in the cinema. Their discretion ranged over politics, blasphemy and morality. The Catholic Church also held a tenacious influence over the morals and political culture of a very large mass of Italian families, an influence which rivalled that of the state. Fro

Consequence