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Titlebook: Celluloid Sisters; Women And Popular Ci Janet Thumim,Jo Campling Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 1

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發(fā)表于 2025-3-21 18:06:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Celluloid Sisters
副標(biāo)題Women And Popular Ci
編輯Janet Thumim,Jo Campling
視頻videohttp://file.papertrans.cn/224/223110/223110.mp4
圖書封面Titlebook: Celluloid Sisters; Women And Popular Ci Janet Thumim,Jo Campling Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 1
描述Taking De Lauretis‘ proposition that popular cinema is a ‘technology of gender‘ the book explores the representation of women and the readerly activity of female audience members in respect of a group of eighteen films successful at the British box office between 1945 and 1965. A method for the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through reference to the press, particularly that addressed to a female readership.
出版日期Book 1992
關(guān)鍵詞cinema; film; women
版次1
doihttps://doi.org/10.1007/978-1-349-21961-2
isbn_ebook978-1-349-21961-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1992
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:20:54 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:31:18 | 只看該作者
The Construction and Definition of Female Characters,eal, exemplified in the films and the audiences respectively, evident in the themes which appear concurrently in different films. This proposition is endorsed by the marked differences evident in themes current at each of the three “moments”.
地板
發(fā)表于 2025-3-22 06:58:30 | 只看該作者
The Narrative Resolutions of Female Characters,nema — the world inhabited by the audience — constitutes the routine material of critical responses to the films. Close attention to such contemporary responses, as we shall see, offers an extra-diegetic yardstick by which we may evaluate contemporary reception of the discursive propositions lodged in the resolutions of the film texts.
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發(fā)表于 2025-3-22 10:25:27 | 只看該作者
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發(fā)表于 2025-3-22 13:10:16 | 只看該作者
r the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through reference to the press, particularly that addressed to a female readership.978-1-349-21961-2
7#
發(fā)表于 2025-3-22 17:44:03 | 只看該作者
On the Origin of Phosphorylated Biomoleculesnema — the world inhabited by the audience — constitutes the routine material of critical responses to the films. Close attention to such contemporary responses, as we shall see, offers an extra-diegetic yardstick by which we may evaluate contemporary reception of the discursive propositions lodged in the resolutions of the film texts.
8#
發(fā)表于 2025-3-22 22:26:29 | 只看該作者
ly activity of female audience members in respect of a group of eighteen films successful at the British box office between 1945 and 1965. A method for the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through refe
9#
發(fā)表于 2025-3-23 03:35:51 | 只看該作者
On the Origin of Phosphorylated Biomoleculeschapter is concerned with the qualifications which must be borne in mind while engaging in such an exploration of cinema popular in Britain between 1945–1965. The book as a whole is, precisely, a speculation about the available meanings of Woman in circulation at a time when cinema could be said to be the dominant form of mass culture.
10#
發(fā)表于 2025-3-23 06:12:54 | 只看該作者
Daniel Fitz,Thomas Jakschitz,Bernd M. Rode typical of the majority of films popular in the mid-forties, mid-fifties and mid-sixties, and to the two aspects of the cinema which particularly inflected marketing strategies, audience choices and, most important, audience readings of film — which are genre and stars.
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