Titlebook: Celebrity and the Feminist Blockbuster; Anthea Taylor Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 celebrity feminism.po

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Germaine Greer: ‘The Star Feminism Had to Have’, Unruliness, and Adaptable Celebrityout her public career Greer has exemplified—and indeed continues to exemplify—Kathleen Rowe’s figuration of the ‘unruly woman’, across various media platforms. Moreover, despite publicly expressing her ambivalence about celebrity, from the publication of . to the present, Greer has herself put into

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Naomi Wolf: Twitter and the Transformation of a ‘Third wave’ Celebrity, and their role in Wolf’s celebrification, Taylor also engages with Wolf’s most recent popular book, ., to consider how her celebrity has transformed. Given that this book was widely criticized for its biological essentialism and new age rhetoric, Wolf turned to social media to effectively rewrite

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Sheryl Sandberg and Roxane Gay: The Limits and Possibilities of Contemporary Blockbuster Feminismy’s . to consider the politics of the contemporary blockbuster and the diverse feminisms embodied by its authors. Although celebrity feminism has always been transmedial, these two authors provide the opportunity to expand upon the role played by digital culture in the constitution, maintenance, and

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Amy Poehler and Lena Dunham: Celebrity Memoirs, Comedy, and Digital Activisminism and those who later chose to add feminism to their ‘brand’. For these two celebrities, feminism has always been central to their creative practice, and is thereby integral to their renown; it also clearly underpins their books, . and . respectively. In each case, their comic blockbuster memoir

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