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Titlebook: Capitals of Punk; DC, Paris, and Circu Tyler Sonnichsen Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 music geography.punk

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樓主: 珍愛
11#
發(fā)表于 2025-3-23 10:24:40 | 只看該作者
12#
發(fā)表于 2025-3-23 14:32:50 | 只看該作者
Cellular Accommodation of Nitrogenaseench popular culture have been intertwined for almost as long as either state has existed. This chapter also discusses how local record labels like Dischord and Postcard have documented that circulation on both sides of the Atlantic.
13#
發(fā)表于 2025-3-23 18:16:01 | 只看該作者
14#
發(fā)表于 2025-3-23 22:11:05 | 只看該作者
15#
發(fā)表于 2025-3-24 04:14:28 | 只看該作者
https://doi.org/10.1007/1-4020-3544-6This chapter discusses two gigs, one apocryphal and one lived by the author, to explain how this book came about as well as demonstrate the weird space that Washington, DC, and Paris occupy in the story of rock ’n’ roll. It also lays the groundwork for how punk and hardcore brought the two cities and scenes closer together.
16#
發(fā)表于 2025-3-24 10:03:09 | 只看該作者
17#
發(fā)表于 2025-3-24 10:55:37 | 只看該作者
Richard C. Burns,Ralph W. F. HardyThis chapter discusses how the geography of Washington, DC, informed the birth of new wave and ultimately hardcore punk via Bad Brains, Minor Threat, Government Issue, and more. It also discusses the role of gender in that scene as well as its relationship with other underground movements like Go-Go.
18#
發(fā)表于 2025-3-24 15:44:11 | 只看該作者
Richard C. Burns,Ralph W. F. HardyThis chapter discusses how and why hardcore punk arrived in Paris (or the suburbs, at least) in the moment it did, citing the geography of ?le-de-France, the violent urban landscape of that era, and the cross-cultural meaning of the term hardcore” in punk music. We meet Heimat-Los, Kromozom 4, and other key players of the time.
19#
發(fā)表于 2025-3-24 22:20:07 | 只看該作者
20#
發(fā)表于 2025-3-25 01:29:14 | 只看該作者
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