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Titlebook: Capitalism, Crime and Media in the 21st Century; Neil Ewen,Alan Grattan,Paul Manning Book 2021 The Editor(s) (if applicable) and The Autho

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發(fā)表于 2025-3-25 03:57:02 | 只看該作者
Book 2021rsection of capitalism, crime and the media. The text is founded on the principles of cultural criminology – that how we determine and understand crime lies in the social world and that the determination of crime and its mediation in popular culture have a political basis. The book consists of eleve
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發(fā)表于 2025-3-25 07:58:25 | 只看該作者
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發(fā)表于 2025-3-25 15:14:11 | 只看該作者
Neil Ewen,Alan Grattan,Paul ManningExamines the intimate relationship between capitalism, crime and the media.Considers how media acts as a site of resistance to the forces of capitalism.Looks at how news coverage and reporting are aff
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發(fā)表于 2025-3-25 18:39:31 | 只看該作者
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發(fā)表于 2025-3-25 20:31:27 | 只看該作者
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發(fā)表于 2025-3-26 01:50:48 | 只看該作者
978-3-030-56446-9The Editor(s) (if applicable) and The Author(s) 2021
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發(fā)表于 2025-3-26 06:59:43 | 只看該作者
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發(fā)表于 2025-3-26 11:27:39 | 只看該作者
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發(fā)表于 2025-3-26 14:50:52 | 只看該作者
G. Ahr,W. Wingender,J. Kuhlmannltural significance of the ‘lost girl’ crime story. While TV crime drama has been accused of trading in degrading images of violated women for shock value, this chapter focuses attention on how the lost girl trope is presented on such shows via forms of new media technologies. Its central assertion
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發(fā)表于 2025-3-26 17:34:33 | 只看該作者
Review of Nisoldipine Binding Studiesy . touristic entertainment, noir tourism borrows from, and remediates, the conventions and nostalgia of film noir, such as the figures of the femme fatale and the hardboiled detective, urban risk, and the eroticisation of violent death. We contend that the Dahlia case’s particular embeddedness in t
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