Titlebook: Cancer Poetry; Iain Twiddy Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 contemporary poetry.poetry and health.poetry and

門閂

Patricia Ochoa,Cinthia Peraza,Oscar Castillo, confides that although his mental wellbeing ‘demands lies’, or the ‘comfort of make-believe games — // such as this one that I play now in distich, almost pretending / verse has validity’, poetry is ultimately ‘fuck-all use here, now.’.

線

平庸的人或物

Fierce Verse: Cancer and Imaginative Redress,, confides that although his mental wellbeing ‘demands lies’, or the ‘comfort of make-believe games — // such as this one that I play now in distich, almost pretending / verse has validity’, poetry is ultimately ‘fuck-all use here, now.’.

徹底檢查

Cancer Poetry: An Introduction,elong reluctance to consult doctors, he must have known that an eventual diagnosis of ‘mesotheliomata // on both lungs meant the situation was lose-lose’.. Zevon’s cancer was linked to a very specific cause, asbestos exposure, but its effects were absolute: Zevon died the year after diagnosis, in Se

Interregnum

嚴(yán)厲譴責(zé)

LAITY

使害怕

Surviving Cancer,e remarkable psychological regeneration documented in poems written in the period 1956–59. ‘The Hospital’ begins with a declaration of love for a ward, for its regularity and plainness — ‘a(chǎn)n art lover’s woe’ — in the conviction that nothing is ordinary, since, for instance, a stairway leads to ‘the

矛盾心理

Curmudgeon

Fierce Verse: Cancer and Imaginative Redress,ring of imagined characters adjusting to a terminal diagnosis. . comprises different forms, including limerick, sonnet, acrostic, choriamb, haiku and tanka, 100 variations of the same essential material. The formal restlessness indicates a bind between potential and restriction, where poetry’s forms